Transcription of American Popular Music
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American Popular Music
AmericanPopu lar Musi c Larry Starr & Christopher Waterman Copyright 2003, 2007 by Oxford University Press, Inc. This condensation of American Popular Music : FROM MINSTRELSY TO MP3 is a condensation of the book originally published in English in 2006 and is offered in this condensation by arrangement with Oxford University Press, Inc. Larry Starr is Professor of Music at the University of Washington. His previous publications include The Dickinson Songs of Aaron Copland (2002), A Union of Diversities: Style in the Music of Charles Ives (1992), and articles in American Music , Perspectives of New Music , Musical Quarterly, and Journal of Popular Music Studies. Christopher Waterman is Dean of the School of Arts and Architecture at the University of California, Los Angeles. His previous publications include J j : A Social History and Ethnography of an African Popular Music (1990) and articles in Ethnomusicology and Music Educator s Journal. Clockwise from top: Bob Dylan and Joan Baez on the road; Diana Ross sings to thousands; Louis Armstrong and his trumpet; DJ Jazzy Jeff spins records; NSync in concert; Elvis Presley sings and acts.
of Irish and German immigrants came to the United States during the 19th century. Between 1880 and 1910 an additional 17 million im migrants entered the United States. hese successive waves of migration contributed to the diversity of musi cal life. European-derived musical styles such as Cajun iddling, Jewish klezmer music, and the Polish polka
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