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53 An Expanded Macro Analysis System for Chromatic harmony Daniel Sommerville Part One: The rationale for the significance of other chord successions in addition to circle progressions. n the sixth edition of Music in Theory and Practice , authors Bruce Ben-ward and Gary White state that, all tonal music from the beginning of the baroque to the middle of the romantic period contains a pre-ponderance of circle progressions. 1 They then outline a System of analy-sis Macro Analysis in which circle progressions are readily identified. Letter names for chords are used instead of roman numerals, and under-slurs are used to link those chords that form such progressions ( root movement by descending fifth or ascending fourth). With such Analysis , one can see at a glance a wealth of information concerning har-monic movement. Prolongation and nested progressions are readily seen, as are circle progressions resulting in strong directional motion.
53 An Expanded Macro Analysis System for Chromatic Harmony Daniel Sommerville Part One: The rationale for the significance of other …
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