Transcription of Getting Started with 4-part Harmony - Dave Smey
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Getting Started with 4-part Harmony - Dave Smey
Getting Started with 4-part HarmonySome of you have already written chord progressions in a previous theory class. However, itis my experience that few students come to college with the ability to consistently whip offprogressions correctly. Thus, I would recommend that you take a careful look at the way I veorganized things here. (If you have never done this before, relax! It s virtually painless, Ipromise.)You can also compare this packet to Ottman pp. basic setup - bass line + upper voicesWhen we write harmonic progressions in a 4-voice texture, one usually thinks in terms ofa bass line plus 3 upper turns out that the two parts of the texture behave very differently. The upper voices tend tomove from chord to chord in the smoothest way possible. They are also carefully stacked sothat they create a homogenous, blended sound.
Getting Started with 4-part Harmony Some of you have already written chord progressions in a previous theory class. However, it is my experience that few students come to college with the ability to consistently whip off
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