Transcription of Getting Started with 4-part Harmony - Dave Smey
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Getting Started with 4-part Harmony - Dave Smey
Getting Started with 4-part HarmonySome of you have already written chord progressions in a previous theory class. However, itis my experience that few students come to college with the ability to consistently whip offprogressions correctly. Thus, I would recommend that you take a careful look at the way I veorganized things here. (If you have never done this before, relax! It s virtually painless, Ipromise.)You can also compare this packet to Ottman pp. basic setup - bass line + upper voicesWhen we write harmonic progressions in a 4-voice texture, one usually thinks in terms ofa bass line plus 3 upper turns out that the two parts of the texture behave very differently. The upper voices tend tomove from chord to chord in the smoothest way possible.
Getting Started with 4-part Harmony Some of you have already written chord progressions in a previous theory class. However, it is my experience that few students come to college with the ability to consistently whip off
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