Transcription of Landscape, Music and Sonic Environments.
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Landscape, Music and Sonic Environments. GEORGE REVILL Senior Lecturer in Geography, The Open University, A revised version of this paper is published in The Routledge Companion to Landscape Studies Second Edition eds P Howard, I Thompson, E Waterton, M Atha. (Routledge: 2017) Landscape, Music and Sonic Environments, George Revill, 2017 INTRODUCTION From film soundtracks to folk song, Music is often thought to invoke particular landscapes, their moods, textures, beauty, grandeur and tranquillity. The apparent naturalness of sound and its defuse and pervasive character seem to echo the perceived naturalness of landscape itself. Yet the relationships between Music and landscape are not nearly as simple and direct as Music promoters and marketing designers would like us to believe.
Landscape, Music and Sonic Environments, George Revill, 2017 3 MUSIC AND LANDSCAPE In the history of ‘serious’, ‘art music’, depiction of people, places and environments so called ‘extra
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