Transcription of The Harlem Renaissance
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The Harlem Renaissance
452 CHAPTER13 Terms & NamesTerms & NamesMAIN IDEAMAIN IDEAOne American's Story Zora NealeHurston James WeldonJohnson Marcus Garvey HarlemRenaissance Claude McKay Langston Hughes Paul Robeson Louis Armstrong Duke Ellington Bessie SmithAfrican-American ideas,politics, art, literature, andmusic flourished in Harlemand elsewhere in the Harlem Renaissance provideda foundation of African-Americanintellectualism to which African-American writers, artists, andmusicians contribute IT MATTERS NOWWHY IT MATTERS NOWWhen the spirited Zora Neale Hurstonwas a girl in Eatonville,Florida, in the early 1900s, she loved to read adventure stories andmyths. The powerful tales struck a chord with the young, talent-ed Hurston and made her yearn for a wider PERSONALVOICEZORA NEALE HURSTON My soul was with the gods and my body in the just would not act like gods.
Apollo Theatre James Weldon Johnson home In the mid 1920s, the Cotton Club was one of a number of fashionable entertainment clubs in Harlem. Although many venues like the Cotton Club were segregated, white audiences packed the clubs to hear the new music styles of black performers such as Duke Ellington and Bessie Smith. The Roaring Life of the ...
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