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The Site ofMemory

TONIMORRISONTheSiteofMemory~~inInventing theTruth:TheArtandCraftofMemoir,2ded., (Boston;NewYork:HoughtonMifflin,1995),83 -102 Myinclusionina seriesoftalksonautobiographyandmemoirisn otentirelya 'sprob-ablytruethata fictionwriterthinksofhisorherworkasalien inthatcompany,whatI havetosaymaysuggestwhyI' ,Imightthrowintoreliefthedifferencesbetw eenself-rec-ollection(memoir)andfiction, (asdistinguishedfromtheoralorigins) (autobiog-raphies,recollections,memoirs) ,ofwhichwelloverahundredwerepublished, 'sTheInterestingNar-rativeoftheLifeofOla udahEquiano,orGustavusT-'lJssa,theAfrica n,WrittenbyHimself(r769)tothequietdesper ationofIncidentsintheLifeofa SlaveGirl:WrittenbyHerself(r86r),inwhich HarrietJacob("LindaBrent")recordshidingf orsevenyearsina roomtoosmalltostandupin.

The Site ofMemory some to be the model for the "Tom" ofHarriet Beecher Stowe's Uncle 10m's Cabin) had a pre-publicationsale of five thousand. Inaddition to using their own lives to expose the hor­ rors of slavery, they had a companion motive for their

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