Transcription of USING UPPER STRUCTURE TRIADS IN SOLO LINES - …
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USING UPPER STRUCTURE TRIADS IN SOLO LINES - …
Jason Lyon 2006-7, UPPER STRUCTURE TRIADS IN solo LINES Jason Lyon key to USING UPPER structures is to observe that simple major and minor TRIADS exist inthe UPPER reaches of altered dominant chords. These structures are often used by pianistsand guitarists in chord voicings, but they are also very effective in solo two commonest alterations to the dominant chord are 7b9 and 7alt. The scales that gowith each are as follows:C7b9C7altThe UPPER STRUCTURE TRIADS that fit these chord qualities, along with the chord tones theydescribe on the home dominant chord, are as follows:C7b9 Eb F# A #9 5 b7 #11 b7 b9 13 b9 3 Ebm F#m #9 #11 b7 #11 13 b9 Jason Lyon 2006-7, F# Ab #11 b7 b9 b13 R #9 C#m Ebm b9 3 b13 #9 #11 b7 Excuse the technically incorrect enharmonic that F# and Ebm TRIADS fit both chord TRIADS are possible, but not as useful because they don t include enough interestingchord way to internalise these in all keys is to think of them in Roman numeral notation.
© Jason Lyon 2006-7, jlyon@opus28.co.uk www.opus28.co.uk/jazzarticles.html F# C#m C#m Eb Combining two or more triads over the dominant becomes more useful in double ...
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