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BEBOP EXERCISES - opus28.co.uk
www.opus28.co.uk© Jason Lyon 2008 www.opus28.co.uk/jazzarticles.html, jlyon@opus28.co.uk xi. Descending dominant pattern This exercise combines a variation on the downward “dither” from 7 th to 5 th with a descending
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www.opus28.co.uk© Jason Lyon 2006-7, jlyon@opus28.co.uk www.opus28.co.uk/jazzarticles.html A BRIEF GUIDE TO PIANO FOURTH VOICINGS INTRODUCTION This article is intended to give you a basic command of the most useful piano chords voiced
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www.opus28.co.uk© Jason Lyon 2006-7, jlyon@opus28.co.uk www.opus28.co.uk/jazzarticles.html HOW TO HANDLE A SUS CHORD © Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html It’s a common problem among people learning how to improvise that they freeze when faced
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www.opus28.co.ukL. “DROP 2” VOICINGS Bebop, hard bop, contemporary jazz. Bill Evans, Barry Harris, Oscar Peterson, Kenny Barron. AN ARRANGING technique used when voicing for four horns. The basic approach is to take the third and sixth voicings (aka four-way close) and “drop” the second from top tone down an octave. But you can actually apply
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