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Vampire: Blood and Empire (Slavic 0880)

vampire : Blood and Empire (A&s Slavic 0880) SPRING 2012 (crn 11381) instructor: Robert C. Metil, PHD M W 3:00-4:15 CL G8 Office hours: M W 5:00-5:50 & by appt. Office: CL 1433 (Stairwell a) TelEPHONE: 412-624-5906, 412-624-9958 Email: SYLLABUS LAST MODIFIED 1/3/12 (SUBJECT TO REVISION) Course Description: This course examines the phenomenon of vampirism in written texts and other media from different time periods and locations (Macedonia, Bulgaria, Serbia, Poland, Ukraine, Russia, the Czech lands, Slovakia, Austria, Britain, and America). Which historical events, customs, and beliefs have triggered particular notions of the unclean dead? What qualities does the vampire represent? How do ideas about vampires relate to views of death, dying, grief, and immortality? What is the relationship of love and horror? How have depictions of vampires evolved over the centuries, and why do vampires capture the imagination of contemporary audiences?

Vampire: Blood and Empire (A&s Slavic 0880) SPRING 2012 (crn 11381) instructor: Robert C. Metil, PHD ... M Apr 2 Rice, Interview with the Vampire, (168-342)

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Transcription of Vampire: Blood and Empire (Slavic 0880)

1 vampire : Blood and Empire (A&s Slavic 0880) SPRING 2012 (crn 11381) instructor: Robert C. Metil, PHD M W 3:00-4:15 CL G8 Office hours: M W 5:00-5:50 & by appt. Office: CL 1433 (Stairwell a) TelEPHONE: 412-624-5906, 412-624-9958 Email: SYLLABUS LAST MODIFIED 1/3/12 (SUBJECT TO REVISION) Course Description: This course examines the phenomenon of vampirism in written texts and other media from different time periods and locations (Macedonia, Bulgaria, Serbia, Poland, Ukraine, Russia, the Czech lands, Slovakia, Austria, Britain, and America). Which historical events, customs, and beliefs have triggered particular notions of the unclean dead? What qualities does the vampire represent? How do ideas about vampires relate to views of death, dying, grief, and immortality? What is the relationship of love and horror? How have depictions of vampires evolved over the centuries, and why do vampires capture the imagination of contemporary audiences?

2 Our discussions will address these issues as we analyze legends, historical studies, ethnographic accounts, short stories, novels, and films focusing on vampires from diverse critical perspectives, contextualizing these works in the cultures that produced them. Course Requirements: Course requirements are as follows: (1) to complete the assignments scheduled for each [2] class meeting (read a text, etc.) and be prepared to summarize and discuss them in class on the pertinent day; (2) to take the four scheduled exams, as well as the regular, unannounced quizzes administered throughout the semester. PARTICIPATION IN DISCUSSIONS IS STRONGLY ENCOURAGED AND IS THE ONLY MEANS OF EARNING EXTRA CREDIT IN THE COURSE (from 1% to 10% maximum, see below). Credits, Attendance, and Collegiality: This course carries three credits and satisfies the A&S requirement in foreign culture. It meets twice a week throughout the semester and combines lecture and discussion format.

3 Since attendance is critical to course performance, more than five absences will automatically translate into an F for the course. I will distribute index cards and markers at the beginning of the semester for students to make name plates, which I will require them to bring to each class. Failure to bring a name plate may result in the student being marked absent for that class. If serious illness prevents class attendance, documentation of that fact must be presented in the form of a doctor s letter, stating that ON THE DAY AT THE TIME THE CLASS MEETS the student was too ill to attend. These letters must be submitted to your instructor ON THE DAY THE STUDENT RETURNS TO CLASS; otherwise they will not be accepted. **PLEASE INFORM YOUR INSTRUCTOR IN ADVANCE IF YOU MUST ARRIVE LATE TO CLASS OR LEAVE THE CLASSROOM EARLY.** Punctual attendance and collegiality towards one s classmates, instructor, and guests are obligatory.

4 Students who arrive late, do not return to class after exams, or who leave the classroom without returning during film screenings, etc., may be considered absent for that entire class meeting, with the absence factored into their grades accordingly. Inappropriate, distracting, inattentive, rude, and disruptive classroom behaviors, , talking out of order, surfing the internet, texting, sleeping, etc., are potentially serious infringements of the University s Academic Integrity Code (see below) and will not be tolerated. Students are responsible for finding out FROM THEIR CLASSMATES whether important information or materials circulated during a session that they missed. Therefore students should exchange telephone numbers and email addresses with their class neighbors. **Neighboring classmate s tel. _____ Email _____** I strongly encourage students experiencing problems in the course to make an appointment with me during my office hours or other suitable time (see above).

5 At the same time, I equally strongly discourage students from emailing me about issues addressed in the syllabus and related communications (including group emails that I will undoubtedly send regularly to students regarding changes to the course schedule, advice about which readings to emphasize when studying for quizzes, and other administrative matters). Quite simply, my schedule does not permit electronic exchanges that a familiarity with these media makes superfluous. Students with questions pertaining to their performance in the course should come to my office hours, for office hours are scheduled precisely for that purpose. [3] When emailing your instructor, please use the following format in your email s subject heading: YOUR LAST NAME, THE COURSE S NAME, THE SUBJECT OF YOUR MESSAGE, as in the following example, SMITH, A&S VAMPIRES, DOCTOR S EXCUSE. Websites, Films: This course has a website at , where I will post many required readings and important supplementary materials.

6 You should check your Pitt email accounts frequently for important announcements concerning CourseWeb and administrative matters. Various instructors have over the years posted vampire -relevant images, film scripts, internet links, and other materials to ~slavic/courses/vampires/. I shall appreciate information from students about additional sites and visuals. Moreover, I encourage students to bring into class and share with the group/instructor any materials (films, music, etc.) connected with vampirism that may be of interest to all of us. This course will make abundant use of documentary and cinematic films. Students may on occasion be asked to rent films or view them at Stark media center on the ground floor of Hillman Library. Grading: Grades are based on the QUALITY of students performance in the following: (1) four exams 80%; (2) unannounced quizzes 20%. Students may earn extra credit from one to ten percent, based on the quality and frequency of their participation in class discussions (see above).

7 The template below indicates how the number of points accumulated for all assignments throughout the semester, tabulated with the aid of a calculator, will be assessed: A 93-100 A- 90-92 B+ 87-89 B 83-86 B- 80-82 C+ 77-79 C 73-76 C- 70-72 D+ 67-69 D 63-66 D- 60-62 F 0-59 **NO MAKE-UP QUIZZES WILL BE ADMINISTERED. IF A STUDENT MISSES A QUIZ OWING TO ABSENCE, S/HE WILL RECEIVE NO CREDIT FOR THAT QUIZ. MAKEUP EXAMS WILL NOT BE GIVEN, EXCEPT AT THE INSTRUCTOR S DISCRETION UNDER EXTREME CIRCUMSTANCES.** Academic Integrity: By remaining enrolled in the course, students not only agree to abide by the above stipulations, but also understand that the instructor will follow with utmost rigor the rules regarding cheating, plagiarism, etc. spelled out by the University's Academic Integrity policies and procedures It is the students [4] responsibility to familiarize themselves with these regulations and to observe them.

8 Any infraction will be penalized according to these rules. PLEASE NOTE THAT SIGNING THE ATTENDANCE SHEET FOR A CLASSMATE IS EASY TO DETECT, CONSTITUTES A VIOLATION OF ACADEMIC INTEGRITY, AND WILL BE PENALIZED ACCORDINGLY. Disability: Students officially registered with the Disability Resources and Services (DRS in William Pitt Union 216, 412-648-7890 or 412-383-7355) should inform your instructor of their disability during the first week of class. Anyone who needs to register with that office should contact DRS at 412-648-7890. Information about URL is available at Official University Events: Athletes, musicians, and cheerleaders who have out-of-town/state games or performances scheduled by the University should submit a copy of their official schedule of commitments to your instructor during the first week of class. Information about Readings: Because I am currently revising this course, I may on occasion change an assigned reading, or assign a different reading not listed in the current syllabus.

9 If I do this, I will notify students by email and/or in class in advance of the revised assignment, and make new readings available online if they are unavailable as hard copies. I also plan to advise students on how to prioritize readings on weeks when the reading load is particularly heavy. Required Texts: Alan Ryan, ed., The Penguin Book of vampire Stories. NY: Penguin Books, 1988. Bram Stoker; Nina Auerbach & David J. Skal, eds., Dracula: Bram Stoker. NY/London: Norton & Co., 1997. Anne Rice, interview with the vampire . NY: Ballantine Books, 1997. Course Pack, available at the Book Center. Readings Codes: (AR) Alan Ryan text (CP) Course Pack (CW) CourseWeb for this course (JSTOR) ULS data base [5] Proposed Schedule (subject to revision): W Jan 4 Introduction M 9 Oinas, East European Vampires (CP) Moszynski, Slavic Folk Culture (CW) Wilkins-Freeman, Luella Miller (AR) (175-187) W 11 Perkowski, The Sun, the Slavs, and Vampires (CW) Metil, Jungian Analysis of Fairy Tales Part One: Archetypes of the Collective Unconscious and Individuation (CW) JANUARY 16: NO CLASS, DR.

10 MARTIN LUTHER KING JR. S BIRTHDAY W 18 Hyde and McGuinness, Introducing Jung (CW) Freud, on the Uncanny, online at ~dmiall/ Freud s Psychosexual Stages of Development, online at M 23 Mascetti, The Doors to Darkness, Anatomy of a vampire (CW) Perkowski, Bulgarian, Serbian, and Croatian texts (CW) Paul Barber, Forensic Pathology and the European vampire (JSTOR) W 25 Ivanits, Russian Sorcery, Spoiling and Healing (CW) Sadur, Witches Tears (CW) Pelevin, The Werewolf Problem in Central Russia (CW) M 30 EXAM #1 Sadur, Pelevin (cont.) W Feb 1 Ralston, The Soldier and the vampire (CW) Afanasev, The vampire and other story TBA (CW) Ivanits, The Colonel and the Witch (CW) Gogol: Viy (CW), or , or M 6 Gogol (cont.) W 8 Gogol (cont.) M 13 Byron, Fragment of a Novel (AR) (2-6) Polidori, The Vampyre (AR) (7-24) LeFanu, Carmilla (AR) (71-137) [6] Rymer, Varney the vampire (AR) (26-35) W 15 LeFanu (cont.)


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