UNIT 2 MODULES - Arizona State University

1 1 List of e-reserve readings, MUS 355 Survey of American Music STUDENTS: You are responsible for reading the materials associated with the MODULES of Units 2 and 3 that you choose. You will find these reserve readings this way: 1. Go online to the ASU Libraries home page ( ) you will be required to log on 2. Click on Course Reserves under Services 3. Choose ASU Library Reading Lists 4. Click on Find Lists 5. Search for MUS355 6. Click on American Music, and you will arrive at the list of e-reserves. Once you are on the library s reserve list, you can organize the list by title or author s last name by clicking the appropriate button at the top of the list.

2 Follow the directions to get access to your selected readings. Please note that there may be multiple entries by the same author. Please be sure to double check that you are referencing the correct reading. unit 2 MODULES Aaron Copland: Copland, Aaron. Our New Music (1941). In The Hollywood Film Music reader , edited by Mervyn Cooke, 83 92. New York. Oxford University Press, 2010. ___. In the Film Studio (1949). In The Hollywood Film Music reader , edited by Mervyn Cooke, 317 326. New York. Oxford University Press, 2010.

3 Duckworth, William. 20/20: 20 New Sounds of the 20th Century. Chapter 9, Appalachian Spring, 71 80. New York: Schirmer, 1999. AfroCuban: Manuel, Peter. Caribbean Currents, Revised and Expanded Edition. Chapter 2, Cuba, : 21 30, 43 48, 51 52. and Chapter 4, Salsa and Beyond, 88 92, 95 100. Philadelphia, PA: Temple University Press, 2006. Roberts, John Storm. The Latin Tinge: The Impact of Latin American Music on the United States, Second Edition. Chapter 1, The Roots, 3-23. New York and Oxford: Oxford University Press, 1999.

4 Migr Composers: Duckworth, William. 20/20: 20 New Sounds of the 20th Century. Chapter 4, Pierrot Lunaire, 28- 35. New York: Schirmer, 1999. 2 Feisst, Sabine. pre-publication article Schoenberg for new edition, AmeriGrove Duckworth, William. 20/20: 20 New Sounds of the 20th Century. Chapter 3, The Rite of Spring, 2 27. New York: Schirmer, 1999. Stravinsky entry by Wiley Hitchcock and Richard Taruskin in the New Grove Dictionary of American Music. Schoenberg, Arnold. A Survivor from Warsaw.

5 This is just the text of this piece of music. Experimentalists: Audio Culture. Readings in Modern Music, eds. Christoph Cox and Daniel Warner. New York: Continuum, 2004. Nyman, Michael. Chapter 32, Towards (a Definition of) Experimental Music, 209-220. Classic Essays on Twentieth-Century Music: A Continuing Symposium, eds. Richard Kostelanetz and Joseph Darby. Music and its Future, 129-133. New York: Schirmer, 1996. Duckworth, William. 20/20: 20 New Sounds of the 20th Century. Chapter 5, The Concord Sonata, 36- 44.

6 New York: Schirmer, 1999. Audio Culture. Readings in Modern Music, eds. Christoph Cox and Daniel Warner. New York: Continuum, 2004. Cowell, Henry. Chapter 5, The Joys of Noise, 22-24. Hitchcock, H. Wiley. Music in the United States. A Historical Introduction. Henry Cowell and his New Music, 197-200. Englewood Cliffs, NJ: Prentice Hall, 1988. Classic Essays on Twentieth-Century Music: A Continuing Symposium, eds. Richard Kostelanetz and Joseph Darby. Experimental Music, 202-206. New York: Schirmer, 1996.

7 Duckworth, William. 20/20: 20 New Sounds of the 20th Century. Chapter 10, Sonatas and Interludes, 81-89. New York: Schirmer, 1999. Heavy Metal Brackett, David ed. The Pop, Rock, and Soul reader : Histories and Debates. Chapter 56, Heavy Metal Meets the Counterculture, Chapter 71, Heavy Metal Thunders On, Chapter 72, "Metal in the Late Eighties, 266-268, 371-381. New York: OUP, 2004. Walser, Robert. Running With the Devil: Power, Gender, and Madness in Heavy Metal Music. Chapter 3, Eruptions, 57-107.

8 Hanover, NH: Wesleyan UP, 1993. 3 Jazz: Anderson, Scott. John Coltrane: Avant Garde Jazz and the Evotution of My Favorite Things Music History and Literature Honors thesis. Gustavus Adolphus College, 1996. Minstrelsy: Music in the USA: A Documentary Companion, eds. Judith Tick and Paul Beaudoin. Chapter 21, Thomas D. Rice Acts Out Jim Crow and Cuff, Chapter 22, William M. Whitlock, Banjo Player for the Virginia Minstrels, Chapter 23, Edwin P. Christy, Stephen Foster, and Ethiopian Minstrelsy, Chapter 24, Stephen Foster s Legacy, 107-132.

9 New York: OUP, 2008. Powwow: Cunningham, James E. The Dynamics of the Drum : Rhythmic Ramifications in Powwow Song & Dance . (Unpublished typescript Originally presented at the SEM Annual Conference, Honolulu, Nov. 18, 2006) James E. Cunningham from Florida Atlantic University Hatton, O. Thomas. "Performance Practices of Northern Plains Pow-wow Singing Groups." Anuario Interamericano de Investigacion Musical 10 (1974): 123-137. Hatton, Orin Thomas. In the Tradition: Grass Dance Musical Style and Female Pow-wow Singers.

10 Ethnomusicology (1986): 197-221. Spirituals: Allen, William Francis, Charles Pickard Ware, and Lucy McKim Garrison. Slave Songs of the United States. Introduction, i-xxxvi, and page 1, Roll, Jordan, Roll. New York: Peter Smith, 1929. Jackson, George Pullen. White Spirituals in the Southern Uplands. chapter XVI, Ballads of Religious Experience, Bad Women, Bad Men, Biblical Events, 186-205. New York: Dover, 1933. 4 unit 3 MODULES Music and Age: Brackett, David ed. The Pop, Rock, and Soul reader : Histories and Debates.