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an overview of his life, times, and work - ArtsAlive.ca - Home

An overview of his life, times, and work an NAC English Theatre company educational publication THE NATIONAL ARTS CENTRE ENGLISH THEATRE PROGRAMMES FOR STUDENT AUDIENCES Peter Hinton Artistic Director, English Theatre This backgrounder was written and researched by Jane Moore for the National Arts Centre, English Theatre. Copyright Jane Moore, 2008. It may be used solely for educational purposes. The National Arts Centre English Theatre values the feedback of teachers on the content and format of its educational materials. We would appreciate your comments or suggestions on ways to improve future materials. Comments may be directed to Martina Kuska, either by email at or fax at (613) 943 1401. Made possible in part by the NAC Foundation Donors Circle ! " ! # ! # $ % # & ' % # ' & ( ) & * $ ) ( + $ ) * % , & - . & ' **/ 0 # % . *.) %.

oil paint and recorded the face of his colleague, William Shakespeare. At some point Sanders or one of his children labeled the picture ’Shakespere’ (in a spelling the poet himself used), and included the playwright’s birth and death dates, noting that this was his likeness

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Transcription of an overview of his life, times, and work - ArtsAlive.ca - Home

1 An overview of his life, times, and work an NAC English Theatre company educational publication THE NATIONAL ARTS CENTRE ENGLISH THEATRE PROGRAMMES FOR STUDENT AUDIENCES Peter Hinton Artistic Director, English Theatre This backgrounder was written and researched by Jane Moore for the National Arts Centre, English Theatre. Copyright Jane Moore, 2008. It may be used solely for educational purposes. The National Arts Centre English Theatre values the feedback of teachers on the content and format of its educational materials. We would appreciate your comments or suggestions on ways to improve future materials. Comments may be directed to Martina Kuska, either by email at or fax at (613) 943 1401. Made possible in part by the NAC Foundation Donors Circle ! " ! # ! # $ % # & ' % # ' & ( ) & * $ ) ( + $ ) * % , & - . & ' **/ 0 # % . *.) %.

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3 ( ' ' % 5 ( 6 % - " ( " " 7 " 7 "% 8 " 9 : # ; . ' " ( " ( ' )" % . <3 = < 1 & % 5 ( " ( % 5 " 6 & < % & " " * " > ? % page 2 5 ' 7 ( ( @ " " @ . % & ( 7 ?3 A B " , 9 0% " " (( " " ( 7 9 ( ( ( : # ; .% 1( 24 6 . " (( " " C D % ( ( 5 B % & ( ' " 7 ( ( A & ( EE!% 8' 4E ' % & ' ( " ( % ( % * ( " ' " ( " ; , 0 " $" " * @ F > " " % & 3% 1 ' " @ ' ( G " " ' "" = " ' " % 7 ( ( " % ! % ( ( ? ? ! 3% ? $? ?E! 4% 22 2 24! % 22 2 34! % 2 2 33! % 2 2E 34! E% 2 2<! <% 2E 2< 34! ?% 2E 2< 34! 2% ! " $ 3 34! " % # $ % ?3 ? ! 3% # $ & ?3 ?4 ? ! 4% # $ ' ?3 ?4 34! % ? ?E 34! % # $ % ?E ?< ?<! % # $ & ?E ?< 22!page 3 E% # ?< ?? 22! <% 22 2 ?E! ?% 2 ?E! 2% # 3 4 34! # % ( ( ( ?4 ? 34! 3% ? 34! 4% ( ) # ? ? 34! % * + " + ? ? ?<! % ! , + - ? ? 22! % ! # ? ?E 22! E% ! " , ?< ?? 22! <% . / ?? 22 34! ?% ! 0 * 0 22 2 23! 2% 23 2?! % ( , 23 34! 3% + 0 0 23 24 34! 4% ! ! 2 34! % $ $ 2< 2? 2?! % !))))))))))))))))))))))))))))))))))))))

4 % " 3 34! E% 0 + 3 34 5 $ 1 " ( ! H " ' ! : "! 5 page 4 5 % 5 ( " ( ! " , 0 ' ' " " " " ( " " ( 8 " " 9 " " % ! $ % ! & ' 1 )" " ' " 322 8 % . " ' ( 6 ( ( " ( ' 9 ( " ( 6 % 5 " ! ( . " ( " " ( " E $" % 7 ( % 5 $ " ( " % 1 " ( " ' " " ( ( " * ' ( " ' ( % ! ! . D 322 " ( ) " ! = F 7 ' 8 " ( % ' ( ?E3%! Lloyd Sullivan believed he knew this much from family tradition: the portrait was painted a dozen generations ago by his ancestor, John Sanders, born in 1576, the eldest son of a family in Worcester, England. Young John left home to make his fortune in London. There he became an actor, or at least a bit player, in shakespeare s company, the Lord Chamberlain s Men, which was formed in 1594, when shakespeare was thirty. John Sanders also dabbled in oils and did odd bits of painting around the theatre. He liked to try his hand at 5 And sometime in 1603, he prepared a sturdy oak panel and some bright oil paint and recorded the face of his colleague, william shakespeare .))))))))))))))))))))))

5 At some point Sanders or one of his children labeled the picture Shakespere (in a spelling the poet himself used), and included the playwright s birth and death dates, noting that this was his likeness at the age of thirty-nine. The portrait was handed down, passing from the first John Sanders to his son, and so on through the family. (Nolen, 10) F ( % I ' ( ' " " ( " ' " ( % However, the results of the tests that were done were conclusive: the painting was executed on wood that dated from the correct period; the materials and the way in which they were used were consistent with a painting done in England in 1603; no anachronistic material was found; and the label identifying the subject of the portrait was made of rag paper dating from 1640 at the latest. All these elements indicate that the painting is indeed an old painting and not a relatively modern copy or fake. Marie-Claude Corbeil, Senior Conservation Scientist, Analytical Research Laboratory, Canadian Conservation Institute, Department of Canadian Heritage.))))

6 5 F > B 7 # "" ( " ( " + % 1"" B ) In addition to the success of the scientific tests carried out on the Sanders portrait, recent genealogical evidence, together with a number of documents and letters that have been discovered over the past twenty years, go a long way to authenticate the portrait as being a true image of shakespeare painted in his lifetime (1603). 5 ) 1 B ( 8 5 ! F > B 7 JC! - 9 ( * 1 9 D " !% 5 $ " " " ( 6 A J ' 7 J ' ( D " # % . $ ' % ) % * ! & % ) +,-. , , < ) ( $ E< # - - E<$ <3 7 - + <3$ ?2 D 9 , ?2$ ?E I A " ( 7 / ?4$ ?E 7 0 ?E$ 22 1 2 $ 2E B #' B > 2 2<$ 7 & 1( page 6 ) % * ! & ++0 3 4 % 5 # % # ; . " : < ( ( D ! > (( " ( # " A 9 "% D # ; ( & L> M 9 " ( # " 9 " ) " ( ( " .K !% H D 9 " " > % J > # ; 9 " # " " ( " % +,- % 1 34 ' ( ( $ $1' 6 D % & ; 1 3 & 5 > 9 " % ( " ( ( " ! ( % 5 " " ! page 7 ) 5 ( " 9 D A " * " E +,-* +/0 5 4 % % ( 6 ' (( " ( " 1 * (( ! 9 ( 1 % & ' "" ( )" ' E2 " " ( ' ( ,B 0 = " % ( ' ; ( & ( B 3!))))))))))))))))))))))))))))))

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9 % 1 34 ( ( % 1 3 " " ( & 5 9 " ( !% & " , ! ! " ! # ! " # Good friend, for Jesus sake Please leave my dust alone. Blessed be those that leave my tomb alone, And curses on those who move my bones. $% ) 1 34 1 & % 34 5 ! " " ( " " & 9 % 4E * 6 % 5 > ! ; ! % ? ! & ) ( " " ( & 5 9 " ( % 3 6 ! : % 6 " ( ( % E2 ! 7 # ; & * ' G " % $ F 22 ( " % ( * 6 = 7 5 & ( A # & A 9 # 5 A ( # C - D : + # ; : , H (( " > 9 " I / 8 A 0 * 1 B > page 13 = 7 5 A ) # % A ( " ' " % . ( ( " ( ( " " ' " " " ' % 1( ? " " " " ( 3 ( % 5 (( " ( # " 3 % " % 7 5 1 ( 9 ' A 9 "% 5 > ( 9 " % 5 9 " ' ( " ' % 5 )" ( 9 " ( " D 7 B & " O 6 9 ' ; 6 C ) " ( ' (( ! C & # % 5 : ' 7 % " 7 # 5 ! 7 % & ? E! " 23 ( ( 1 % & " 2? < 9 ( 1 % & 9 ' " D % 1 " ' 5 " # % & ( ( ' 1 * $ $ : % & > A ( ( 9 % > ( & ( 9 " 9 " ' " 9 1 * % 5 > )" " # " ( & " A % & ( ,P ( 9 " # 0 ( @ ( ( % & $ % 4 !))))))))))))))))))))))))))))))))))))))) )))))

10 ' ( 9 " ( # % D " ' % 8 ( 5 D % " 1" 1 $ ( ! 5 ? 13 page 14 # A 9 " > (( " > & F 9 " % 1 * & # ; & % ( 1 ( ' 6 1 ( "" ( % & 6 ' # @ 6 3 ( " " ( % 5 > E 4! 1( ' 1 ( 9 ' C & C > ! ( " " = % & 5 = " E ( ?% # " ! # % # ( % H # E 4! 9 " ( # > ' % 5 ( ' " > " ( A 9 " ( 9 " % # ( " " ! % # % 6 ( 4 <! & ( $ 6 ( 9 ( 1 & ( ( ! " ( # 4% A A 9 " ( D # " A 9 " % . 1" ( > " " & ' " ( 9 ( 1 # K. # ( > % F 422 ( ( " > % 1 5 9 ( 1 " ( 9 @ F " A ( * ( 7 @ ( & 7 % 1 ( 4 D ( # ; D " ,* D 0% 1( ( ' D " ( " ! 3% page 15 5 ? ( < 24! D ( 5 ? & 1 * " : < ( 3 % A > # ; . > (( " ( # % ' $ ( ( ( ( % & ' " " " ( !% 5 1" ( " J ( $ # " ( > " " 9 " % # ; ( ( % & %% : # 8 A 9 " ( " " " > ( " @ " = % % = ' B ( B 7 6 ( ( !@ ' K D @ " ( " B ' (!@ ( " @ ( > @ " 9 " % @ 7 1 9 " ' A 9 " % & " A 9 "% . ? 6 ( , 0 " " ,( ( ( " ( 0 " 9 " )" % . E E $ 9 " ( ( ( ( ( 6 ' 6 % "" ( " " % 7 ' ' " % 5 ( & ( (( , " L M ( 0% 1 ( > ( 9 " % ' " 9 "% - ( " " page 16 < , shakespeare s debt to Scripture is profound; biblical imagery is woven into every play.))))))))))))))))))))))))))))))))))) )))))))))))))))))))))))))))))))))))))))) ))))))))))))))


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