C H A P T E R LATENT PRINT DEVELOPMENT - Office of Justice ...

1 CHAPTER. LATENT PRINT DEVELOPMENT . Brian Yamashita and Mike French Contributing authors Stephen Bleay, Antonio Cantu, Vici Inlow, Robert Ramotowski, Vaughn Sears, and Melissa Wakefield CONTENTS. 3 Introduction 28 Fluorescence Examination 6 The Composition of 34 Vacuum Metal Deposition LATENT PRINT Residue 11 LATENT PRINT Powders 37 Blood Enhancement Techniques 14 Ninhydrin and Analogues 42 Aqueous Techniques 18 1,8-Diazafluoren-9-one 53 Formulations for (DFO) Chemical Solutions 20 1,2-Indanedione 55 Reviewers 22 5-Methylthioninhydrin 55 References (5-MTN).

2 22 Modifications for Use on 66 Additional Information Chemically Treated Papers 23 Cyanoacrylate Fuming 7 1. LATENT PRINT DEVELOPMENT CHAPTER 7. CHAPTER 7. LATENT PRINT Introduction LATENT fingerprint DEVELOPMENT may be achieved with a DEVELOPMENT wide array of optical, physical, and chemical processes, most having evolved during the past century. Because some techniques are often intricately related and con- Brian Yamashita and tinuously changing, it is imperative that those involved in Mike French laboratory and crime scene processing are well trained and well practiced (Trozzi et al.)

3 , 2000, pp 4 9; Kent, 1998). Contributing authors Stephen Bleay, For those involved in crime scene and laboratory work, Antonio Cantu, Vici Inlow, safety is paramount. It is important to follow safe work Robert Ramotowski, practices when using the processes described in this chap- ter. This can be accomplished by observing manufacturer Vaughn Sears, and warnings, reading material safety data sheets, and observ- Melissa Wakefield ing one's own institutional policies regarding evidence handling and fingerprint DEVELOPMENT . It is also important for those working with potentially hazardous materials or equipment to wear the appropriate personal protec- tive equipment, such as gloves, lab coats, eye protection, and respirators; to use engineering controls such as fume hoods; and to practice proper laboratory procedures to reduce exposure to pathogens or harmful chemicals (Masters, 2002).

4 Types of Prints fingerprints found at crime scenes or developed in the laboratory are categorized by some examiners as patent, LATENT , or plastic impressions (Lee and Gaennslen, 2001, p 106), although all three types are routinely associated with the term LATENT PRINT . A patent PRINT is simply a visible PRINT . Many of these types of prints are wholly visible to the unaided eye, and only some form of imaging is needed for preservation. A good example of a patent PRINT would be a greasy impression left on a windowpane. Patent prints can also be left in blood, paint, ink, mud, or dust.

5 Lighting is a very important con- sideration in the search for this type of fingerprint; a good 7 3. CHAPTER 7 LATENT PRINT DEVELOPMENT flashlight or forensic light source is especially useful in the Surface Types hunt for patent impressions. Correctly identifying the type of surface expected to bear The word LATENT means hidden or unseen. LATENT prints are a fingerprint is an important step toward successful devel- undetectable until brought out with a physical or chemical opment. Surfaces are generally separated into two classes: process designed to enhance LATENT PRINT residue.

6 Many porous and nonporous. This separation is required to select of these processes and techniques are discussed in the the proper technique or reagent and the appropriate se- remainder of this chapter. quential order for processing. A plastic PRINT is created when the substrate is pliable Porous substrates are generally absorbent and include enough at the time of contact to record the three-dimen- materials like paper, cardboard, wood, and other forms of sional aspects of the friction skin. These impressions cellulose. fingerprints deposited onto these media absorb are formed when the raised friction ridges are physically into the substrate and are somewhat durable.

7 Amino acid pushed into the substrate, creating a mold of the friction techniques are particularly useful here because the amino skin ridge structure. Clay, putty, soft wax, melted plastic, acids tend to remain stationary when absorbed and do not heavy grease, and tacky paint are all substrates condu- migrate (Almog, 2001, p 178). cive to forming and retaining plastic impressions. Plastic Nonporous surfaces do not absorb. These surfaces repel impressions are usually photographed under oblique light- moisture and often appear polished. They include glass, ing that enhances the contrast of the ridges and furrows.

8 Metal, plastics, lacquered or painted wood, and rubber. These prints may also be preserved with silicone-type LATENT prints on these substrates are more susceptible to casting materials. damage because the fingerprint residue resides on the out- ermost surface. Cyanoacrylate (CA), dye stains, powders, Deposition Factors and vacuum metal deposition are usually the best choices Deposition factors that influence the quality, or even to use on these surfaces. the presence, of LATENT prints include the conditions sur- rounding the contact between friction skin and those A type of substrate that does not easily fit into the first two objects that are touched.

9 These conditions are described categories but should be mentioned is considered semipo- as follows: rous. Semiporous surfaces are characterized by their nature to both resist and absorb fingerprint residue. Fingerprint Pre-transfer conditions include the condition or health residue on these surfaces may or may not soak in because of the donor's friction skin and the amount and type of of the absorbent properties of the substrate and the vari- residue on the skin (Olsen, 1978, pp 118 120). These able viscous properties of the fingerprint residue. These conditions are affected by age, gender, stimuli, occupation, surfaces include glossy cardboard, glossy magazine covers, disease, and any substances the subject may have touched some finished wood, and some cellophane.

10 Semiporous prior to deposition. surfaces should be treated with processes intended for both nonporous and porous surfaces. Transfer conditions also dictate whether a suitable im- pression will be left (Olsen, 1978, pp 117 122). These are Textured substrates can be porous or nonporous and pres- the conditions of the surface (substrate) being touched, ent the problem of incomplete contact between the fric- including texture, surface area, surface curvature or shape, tion ridge skin and the surface being touched. (An example surface temperature, condensation, contaminants, and might be the pebbled plastic of some computer monitors.)