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CHLOE - screenplaydb.com

CHLOES creenplaybyErin Cressida Wilson7/31/8 POLISHSUBMITR epresented by:Rowena ArguellesGeorge LaneCAAJ ulie Bloom: Art/Work EntertainmentFADE INTO: CHLOE S bee-stung lips - Slightly parted. Her breath bites her lip as we hear her VOICE OVER: Seductive and full of youth. CHLOE (vo)I ve always been pretty good with pulls a stocking onto her toes, runs it over the arch of her foot and up her (vo)In my line of business, it s as important to be able to describe what I m doing, as it is to DO what I m doing. When to say what. What word to select. The Camera sweeps across CHLOE s wide eyes, her milk-white skin.

Chloe pulls a stocking onto her toes, runs it over the arch of her foot and up her leg. CHLOE (vo) In my line of business, it’s as important to be able to describe what I’m doing, as it is to DO what I’m doing. When to say what. What word to select. The Camera sweeps across Chloe’s wide eyes, her milk-white skin. CHLOE (vo)

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Transcription of CHLOE - screenplaydb.com

1 CHLOES creenplaybyErin Cressida Wilson7/31/8 POLISHSUBMITR epresented by:Rowena ArguellesGeorge LaneCAAJ ulie Bloom: Art/Work EntertainmentFADE INTO: CHLOE S bee-stung lips - Slightly parted. Her breath bites her lip as we hear her VOICE OVER: Seductive and full of youth. CHLOE (vo)I ve always been pretty good with pulls a stocking onto her toes, runs it over the arch of her foot and up her (vo)In my line of business, it s as important to be able to describe what I m doing, as it is to DO what I m doing. When to say what. What word to select. The Camera sweeps across CHLOE s wide eyes, her milk-white skin.

2 CHLOE (vo)Some men hate to hear certain terms. They can t stand specific moves, and then they can t live without others. CHLOE runs lotion down her neck, arms, wrists, inner (vo)It s part of my job to know where to place my hand, my lips, my tongue, my leg, and even my thoughts. Now we see CHLOE in her entirety. Unbelievably alluring and (vo)..What kind of pressure, for how long, and when to She lights a cigarette, and her eyes are illuminated in red. The smoke trails out of her mouth, filling her face with (vo)I can become your first kiss. CHLOE s tongue flicks the cigarette smoke between her lips and (vo)Or a torn out image from Playboy that you found when you were nine years old.

3 Am I your secretary, or am I your wife? Maybe I m your seventh grade math teacher you always takes a quick INHALE of I know is that if I do it just right, I can become your living, breathing unflinching dream. And then, I can The smoke of the cigarette accumulates around CHLOE s visage until she VANISHES INTO WHITENESS. EXT. DOWNTOWN STREET - EARLY AFTERNOONIn SLOW MOTION, CHLOE appears at the crest of the hill, rising like a dream. A wind momentarily lifts her dress as she approaches the doors of the Four Seasons car HONKS, and the VIEW careens into the air and across the street, climbing the facade of a Medical Office Building.

4 Five floors up, the VIEW settles upon a window behind which stands DR. CATHERINE METZGER - Deep in thought, gazing across the street at Catherine Metzger is flawless, intelligent and beautiful. And though she does not know the Girl below, something about CHLOE s youth and fluidity grab Catherine s attention with a strange S POV: CHLOE vanishes into the front doors of the Four Seasons. NURSE(os)Dr. Metzger, your last appointment is Metzger turns to her Nurse. CATHERINER ight. Thanks, SNAP. Catherine dons a pair of green-tinted latex EXAMINATION ROOM- MOMENTS LATERC atherine s eyes meet a wan patient named ELIZA.

5 Twenty. Impossibly thin, nervous as a (warm)Put your feet in the stirrups. Buttocks as close to the edge of the table as you can get s NURSE squeezes a dollop of clear lubricant gel into Catherine s gloved LATER:Catherine begins her gynecological examination by slipping her fingers inside was your first period? was occupation? m a (interested)What kind?ELIZAC lassical you use any form of contraception? (tough love)Do you want to have a baby?ELIZANo. Not at all. No. CATHERINESo you don t practise safe sex?ELIZAI ve never had an intercourse?ELIZAI ve never had s eye meets Eliza tried once.

6 And then again. It don t think I m can t help but feel empathy for this young woman. ELIZAI just don t like the takes a moment. orgasm is simply a series of muscle contractions. That s it. It comes from manipulating the clitoris. Nothing mysterious, nothing magic about it. I ll get you some literature to take home with you. You can get pulls her rubber gloves off and drops them in her Nurse s hands. INT. RECEPTION AREA, CATHERINE S OFFICE - MOMENTS LATERMRS. CUNNINGHAM, a sixty-five year old Patient, exits another office. She has two black eyes and bandages across her nose.

7 FRANK RODERICK, her plastic surgeon, follows close. FRANK(to Mrs. Cunningham)Movies in bed. Rest. MRS. CUNNINGHAM(intimate)I don t know what I d do without Mrs. Cunningham leaves, Frank approaches Catherine who ushers Eliza out of her office. CATHERINE(handing Eliza pamphlets)Start with you, Doctor. Eliza leaves. patient?CATHERINELast of the day. FRANKHow about coffee? ve got 250 flowers to hand-select, a cake to pick up, and a Caterer who cancelled on me. Catherine looks straight at Frank. CATHERINE(excited)David s going to kill me for this, isn t he?FRANKHe doesn't deserve you.

8 Like sibling love, Frank kisses Catherine on the forehead. INT. MUSIC ROOM AT COLUMBIA UNIVERSITY, NYC - SAME TIMEThe music of Mozart s Don Giovanni PLAYS lightly as we see DAVID, a passionate professor, teaching the opera to 150 enwrapped students. In the darkness flash slides of Don Giovanni seducing (understated)Soren Kerkegaard argued that Mozart s Don Giovanni was the greatest work of art ever produced. In its finale, the great Casanova refused to repent for his DUET begins on the stereo, and David turns the VOLUME (quietly and alluring)Name that tune. David looks through the shafts of light from the slide-show at his adoring students.

9 He avoids the gaze of MIRANDA, a sexy coed who stares at him with a picks Another Girl. DAVIDYes? GIRL La ci darem la Mano. DAVIDM eaning?ANOTHER GIRL There we will entwine our hands. DAVIDNice, right?The Girl Giggles. David skips to another SONG:DAVIDWhat is he singing?David points to a Mille e tre. DAVIDW hich translates to:BOY A thousand and three lovers that Don Giovanni took in Spain very busy man. David catches eyes with Miranda as the class , back to the hands. Who is prepared to utter these words?David picks another BOY. BOY TWOL ci darem la manoL mi dirai di s ,Vedi, no lontanoPartiam, ben mio da qui.

10 DAVID(loves his students)Nice pronunciation. And this all means? TWO Give me your hand, my room s not far away, and then we ll get down to David GIGGLES. DAVIDAnd then he TWO Andiamo. DAVID(can t hide his exuberance) Hurry, hurry! Yes! No time to lose. Miranda raises her hand again, staring straight at David. He can no longer stop himself from calling on her. DAVID(straight at her)Yes, few of us would like to take you to dinner. Can you come? It s really good moves his fingers through his a hair which is a little too long, in just the right way. DAVID(he would really like to stay)I d love to.


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