Contents

1 PLANE SHIFT: IXALAN 2017 Wizards of the Coast LLC. Magic: The Gathering, Wizards of the Coast, Dungeons & Dragons, their re-spective logos, Magic, Ixalan, D&D, Player s Handbook, Dungeon Master s Guide, Monster Manual, Volo s Guide to Monsters, and characters distinctive likenesses are property of Wizards of the Coast LLC in the USA and other countries. All rights by James WyattCover art by Tyler JacobsonEditing by Scott Fitzgerald GrayThe stories, characters, and incidents mentioned in this publication are entirely book is protected under the copyright laws of the United States of America. Any reproduction or unauthorized use of the material or artwork contained herein is prohibited without the express written permission of Wizards of the Coast Printing: January 2018 Contact Us at of the Coast LLCPO Box 707 Renton, WA 98057-0707 USAUSA & Canada: (800) 324-6496 or (425) 204-8069 Europe: +32(0) 70 233 277 ContentsThe World of IxalanRaces of IxalanLand of the Great RiverAn Ixalan BestiaryAppendix: The Colors of MagicDeeproot Champion Raymond SwanlandIntroductionThis is a pretty special installment of the Plane Shift series for me, because I was the creative lead for Ixalan world build-ing.

2 Perhaps betraying my fourteen-year history working on Dungeons & Dragons, Ixalan is a world of exploration and treasure, marked by ancient sites waiting to be explored by intrepid heroes. One of those sites, shown on a card in the Ix-alan set, is obviously inspired by a classic D&D adventure, The Hidden Shrine of Tamoachan. This plane lacks only dragons to be a fully realized D&D milieu there s even a world map! Ultimately, that means that writing Plane Shift: Ixalan was both a ton of fun and relatively easy. The people who populate Ixalan have a lot in common with D&D charac-ters already, and mapping them to existing classes and back-grounds was a pretty straightforward task. Similarly, the creatures of the plane especially the dinosaurs had a lot of analogues in the game already.

3 And still, this is the longest installment of Plane Shift yet! That s partly because I had the freedom to really cut loose on ideas and inspiration to help you play a character in this exciting world. You ll find more tables in here than ever before tables of personality traits and ideals to flesh out your character, of treasures to flavor your hoards, and inspi-ration to bring your party together. This sort of thing is both really enjoyable and really challenging to write a lot like the flavor text on Magic cards, actually, because each one is a self-contained nugget, a complete idea in a single sentence. I hope that all this stuff enriches your game. The appendix in this document is an extended musing on the colors of Magic and their relationship to D&D char-acters and spells.

4 This is the sort of thing that dominates a lot of lunchtime conversations with members of the Magic creative team who are also avid D&D fans, and also the sort of thing I get a lot of questions about on Twitter. As with much of the rest of this document, the focus is more on role-playing and character building than on rules. It s a first stab, though, toward a more comprehensive understanding of the relationship between the worlds of both games. As always, The Art of Magic: The Gathering Ixalan is the definitive resource for information about the plane. With this document, you can use that information to build a cam-paign with a minimum of changes to the fifth edition D&D rules, which you can find here. And even without the book, you can find lore about Ixalan on the Magic web site.

5 There s a lot of open space on that map. I hope you have fun exploring the world of Ixalan! James WyattSunrise Seeker Filip BurburanThe game mechanics in this supplement are usable in your D&D campaign but are not fully tempered by playtests and design iterations. For these rea-sons, material in this supplement is not legal in D&D Organized Play Migration Lars Grant-WestSun EmpireThe Sun Empire is a powerful civilization that domi-nates the eastern coast of Ixalan. The empire s fierce warriors are supported by priests who wield the power of the sun and command the mighty dinosaurs that in-habit the continent. A new ruler has brought the empire into an era of expansion, seeking to reclaim the lands in the continent s interior that it once held.

6 At the same time, a foreign incursion into those same lands sparks a search for the artifact known as the Immortal Sun, which the people of the empire view as a potent symbol of their identity. Races: HumanSuggested Backgrounds: Acolyte, entertainer, folk hero, guild artisan, hermit, noble, sage, soldier, ur-chinSuggested ClassesConsider the following class options for your Sun Em-pire character. Barbarian. Certain warriors devoted to Tilonalli (the destructive aspect of the Threefold Sun the deity worshiped by the folk of the empire) enter a berserk rage in combat. The Path of the Berserker is appropriate for these characters, or the Path of the Totem Warrior (replacing bear, eagle, and wolf totem spirits with cer-atops, aerosaur, and raptor spirits, respectively).

7 Bard. Poetry is a respected art among the warriors of the Sun Empire, so bards of the College of Valor might be found within their ranks. Cleric. Sun Empire clerics are typically devoted to one particular aspect of the Threefold Sun. Kinjalli, the Wakening Sun, represents the deity s creative aspects and grants access to the Life and Light domains. Ixalli, the Verdant Sun, represents its sustaining and nourishing aspects, granting access to the Life and Nature domains. Tilonalli, the Burning Sun, represents its destructive as-pects and grants access to the Tempest and War domains. Druid. Certain shamans of the Sun Empire are closely attuned to the forces of nature, and use wild shape to take on dinosaur forms.

8 These druids typically follow the Circle of the Moon. Fighter. Highly trained soldiers and warriors are the backbone of the Sun Empire. They are typically Battle Masters or Champions. Paladin. Knights of the Sun Empire are drawn to the Oath of the Ancients and (increasingly, as vampires and pirates mount incursions into their lands) the Oath of Vengeance. These paladins often use the find steed spell to acquire dinosaur mounts (typically a hadrosau-rus, described in Volo s Guide to Monsters). Ranger. Scouts of the Sun Empire are often rangers, including both Beast Masters and Hunters. The pteran-odon, dimetrodon, and velociraptor are all appropriate ranger s Peoples, One Partyd10 Reason for Cooperating1 The characters begin the campaign captured, whether as prisoners of the Legion of Dusk, captives in a pirate ship s brig, or trapped in jungle characters are fighting each other when a dinosaur characters are trapped together by a cave-in, a sinkhole opening, or some similar character has one piece of a treasure map.

9 Or one key of several required to open a treasure strange dream leads each of the characters to the same characters are all hopelessly lost in the of the characters factions have ordered them to cooperate on a secret pirate captain or other villain is a common enemy to all the magical or natural phenomenon threatens all folk of characters are all trying to avert the catastrophe of a full-scale war among their trickiest thing about playing D&D in a highly factionalized setting like Ixalan is bringing player characters together who belong to different groups and would have no obvious reason to want to cooperate let alone trust each other with their lives. One possibility, of course, is for all the characters to belong to the same faction.

10 An all-vampire party bent on conquest or an all-pirate party set to explore the Stormwreck Sea can find plenty of adventure in Ixalan. But if one player is intent on playing a merfolk and one is determined to be an orc, some extra effort is required to bring them together. The most straightforward approach is to put the characters into a situation where they need to work together to survive or to achieve some goal they all share. Necessity makes strange bedfellows, as the saying goes, and characters who find themselves in a bad situation have a strong incentive to put aside their differences and work together, at least until they get out of that situation. They might all be trapped in the same place, or each character could have something that the whole group needs.