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DOJOPress 2000

Ashida Kim DOJOP ress 2000 Table of Contents ..4 Espionage as a Weapon 5 BASIC NINJITSU 6 Meditation for Inner Strength 10 Kuji Kiri 15

Basic Ninjitsu The origins of Ninjitsu are shrouded in the mists of time. It was greatly influenced by Chinese spying techniques, many of which are found in Sun-Tse’s classic, The Art of War.The word Ninjitsu itself originated during a war between Prince Shotoku …

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Transcription of DOJOPress 2000

1 Ashida Kim DOJOP ress 2000 Table of Contents ..4 Espionage as a Weapon 5 BASIC NINJITSU 6 Meditation for Inner Strength 10 Kuji Kiri 15

2 INPO- The Art of Hiding 33 The Nine Steps 38 Obstacle Course Training 52 Hiding Places 66 Covert Entry 71 Sentry Removal 77 TONPO- The Art of Escaping 84 Kumi Uchi 90 Clouding the Mind 98 Leaving No Trace

3 104 The Mission 106 Postscript 107 Secrets of the Ninja Ashida Kim All rights reserved. No portion of this electronic book may be reproduced in any form whatso-ever, except for brief passages for the purpose of review, without express written permission of the Author and Publisher.

4 The Author and Publisher assume no responsibility nor liability for the use or misuse of any information contained in this manuscript. Copyright 1981 by Ashida Kim DOJO Press 2000 Electronic Edition ISBN 0-87364-234-1 Preface Ninja were the Ultimate Warriors of feudal Japan. Cloaked in darkness and secrecy, the Ghost-Soldiers of the Invisible Fist struck fear into the hearts of their enemies and wreaked havoc on those who incurred their wrath. The principles of these occult methods have not changed and apply even today.

5 The principles and forms presented herein are intended for use by a lone individual. Some Ninjitsu ryu (schools) advocate the use of such equipment as shuriken, grapples, shaken, even poisons and firearms. These schools train to use or improvise any weapon that may further the objective of the mission. There is much to be said for this approach, even among the schools that practice invisibility such as the Black Dragon Ryu, Therefore, sections explaining the clas-sical Ninja weapons are included.

6 Yet, study of this Art does not require weapons of any sort. Sensei (teacher) once said, "A naked man, alone, in an empty room, can practice Ninjitsu." One cannot move quickly and silently when encumbered by various tools. And, if captured, these devices would certainly be confiscated. What is one to do then? Here then are the means to be invisible in the presence of the enemy, to penetrate unseen anywhere, and to pass without leaving a trace. This is the Silent Way of the Mystic-Knights, the Moonlit Path of the Shadow-Warrior, the Invisible Assassins of Feudal Japan, the NINJA.

7 The beauty of these techniques is that they do not require a lifetime to master. Many were developed by victims who were tired of being bullied but lacked the physical resources to overcome the forces opposing them. Few people have such resources or the time to acquire them. But, there are bullies aplenty. The student need only learn one technique and have the courage to carry it out to free himself of oppression. Making war is not hard, keeping the peace is hard.

8 That is why the Ninja, who value peace and harmony above all else, have gone to such great lengths over many centuries to canonize and preserve these methods. And why, because it is so simple, the techniques have often been turned to revenge or used to raise and army quickly. When there is no justice, the Ninja appear. They are not called to action by anyone. They are just ordinary people in extraordinary situations. They need not have a clan or credentials or even a great deal of training.

9 They only need the Will. The Ninja do what must be done, then it is forgotten. Princes and kings may gain some temporary advantage through Force. But, the only lasting accomplishments are achieved through Love. This is the true lesson of Ninjitsu 3 Espionage as a Weapon About five hundred years before the birth of Christ, a Chinese philosopher named Sun-Tse stated in his "Rules for Political and Psychological Subversion" that, "there is no art higher than that of destroying the enemy's resistance without a fight on the battlefield.

10 According to this sage, "The direct tactic of war is necessary only on the battlefield, but only the indirect tactic can lead to a real and lasting victory. Subvert anything of value in the enemy's country. Implicate the emissaries of the major powers in criminal undertakings; undermine their position and destroy their reputations in other ways as well; and expose them to the public ridicule of the their fellow citizens. Do not shun the aid of even the lowest and most despicable people.


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