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Pencil Sketching, 2nd Edition

Pencil SKETCHINGS econd Edition *WANG_FM(i-x)3rdpas 6/25/01 10:48 AM Page i (Black plate)*WANG_FM(i-x)3rdpas 6/25/01 10:48 AM Page ii (Black plate)Thomas C. WangPENCIL SKETCHINGJohn Wiley & Sons, Edition *WANG_FM(i-x)3rdpas 6/25/01 10:48 AM Page iii (Black plate)Copyright 2002 by John Wiley & Sons, Inc., New York. All rights part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 750-4744.

fully prepared architectural drawings. However, these high-H pencils are not suitable for normal sketching and drawing purposes. But soft pencil is ideal. Softer leads ... One of my favorites is the classic “draughting” pencil commonly known as 314. It has a rounded, dark brown wood casing with the …

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Transcription of Pencil Sketching, 2nd Edition

1 Pencil SKETCHINGS econd Edition *WANG_FM(i-x)3rdpas 6/25/01 10:48 AM Page i (Black plate)*WANG_FM(i-x)3rdpas 6/25/01 10:48 AM Page ii (Black plate)Thomas C. WangPENCIL SKETCHINGJohn Wiley & Sons, Edition *WANG_FM(i-x)3rdpas 6/25/01 10:48 AM Page iii (Black plate)Copyright 2002 by John Wiley & Sons, Inc., New York. All rights part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 750-4744.

2 Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 605 Third Avenue, New York, NY 10158-0012, (212) 850-6011, fax (212) 850-6008, E-mail: PERMREQ @ publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold with the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional person should be title is also available in print as ISBN 0-471-39919-1. Some content that may appear in the print version of this book may not be available in the electronic more information about Wiley products, visit our web site at 8/21/01 9:43 PM Page iv (Black plate)to my wife Jacqueline and my sons Joseph, Andrew, and Matthew*WANG_FM(i-x)3rdpas 6/25/01 10:48 AM Page v (Black plate)*WANG_FM(i-x)3rdpas 6/25/01 10:48 AM Page vi (Black plate)viiPREFACE IX1.

3 INTRODUCTION ..12. MATERIALS ANDEQUIPMENT ..7 Pencils 7 Papers 13 Accessories 173. TECHNIQUES ..19 Holding the Pencil 19 Pressure 23 Movement of the Hand 27 Lines and Strokes 314. SKETCHING ..37 Introduction 37 Observation and Recording 39 Landscape Sketching 41 Trees 43 Trees in the Foreground 51 Trees in the Background 52 Landforms 55 Water 59 Architecture 63 Sketching the Cityscape 675. COMPOSITION ..716. SKETCHING FROMMEMORY ..857. EXAMPLES ..91 INDEX ..113 CONTENTS*WANG_FM(i-x)3rdpas 6/25/01 4:58 PM Page vii (Black plate)viiiVenice*WANG_FM(i-x)3rdpas 6/25/01 10:48 AM Page viii (Black plate)ixThe purpose of revising Pencil Sketching is to update the content andto make it more suitable to the needs of today s users. Although thepedagogical intent established 20 years ago remains valid and intact,most of the examples were in my opinion outdated.

4 There are alsotechniques I learned after over 25 years of teaching and practicethat I want to incorporate in the new publication. Since the purposeof this book is to teach Pencil sketching, I believe that a new book,with all new writings and illustrations, will serve the purpose with color Pencil is intentionally left out because I feelstrongly that the basics in learning how to sketch and draw muststart with a simple black and white medium. Pencil is very specialbecause the traditional sketching techniques often go way beyond thetool itself and into the mind and body of the artist. To me, this is theonly way to learn and to master Pencil sketching. Pencil sketching isthe door to all other drawing media, and good Pencil sketching skills laythe foundation for a good artist.

5 There are many great technicians who can draw, but what I really want is to make you an artist. I hopethis book will continue to be a helpful guide to all future *WANG_FM(i-x)3rdpas 6/25/01 4:55 PM Page ix (Black plate)*WANG_FM(i-x)3rdpas 6/25/01 10:48 AM Page x (Black plate)1 Pencil : The MediumPencil is special. Pencil is versatile. There is not a single drawingmedium that can perform so many tasks as a Pencil . Because itcan produce lines of different widths, the same Pencil can beused for shading, texture making, and emulating a wide range oftonal some, a Pencil is no different from a pen or a marker becausethey can all be used for sketching. This kind of thinking ignores the fact that the look of Pencil is unique and cannot be duplicated.

6 The ability to visually understand and appreciate the differences is essential. The intention of this book is to clarify the differencesbetween Pencil and other sketching media. Many publications onpencil sketching and drawing never venture to the heart of thingsand discuss in detail the unique characteristic of Pencil . They allspeak rather briefly about the medium and move quickly into tech-niques and demonstrations. Very few spend time talking about the art of Pencil sketching. To me, the real understanding of Pencil sketching goes beyondknowing the state-of-the-art pencils and accessories. It is aboutcreative seeing, such as how to isolate things from a complex visualfield. It is about emotions and feelings and the communicationbetween artist and object.

7 I believe that the in-depth discussionof the fundamentals is what will set this book apart from othersimilar publications.#2 pencilINTRODUCTION1 WANG_CH1(1-6)3rdpas 7/16/01 1:10 PM Page 1 (Black plate)2 Windtower in Bahrain; 314 pencilWANG_CH1(1-6)3rdpas 6/25/01 11:26 AM Page 2 (Black plate)3 Why Sketching?The trends of drawing in the last decade have includedconcerns about colors, styles, expression, and features are responses to new technology and ourcontemporary lifestyle. Yet these trends have little to dowith the pedagogy of design education and drawing. I seesketching as the foundation of a strong design curriculumand a prerequisite course for all future is about eye hand coordination. We see,observe, and then record. Pencil becomes the mediumthrough which images are transferred and becomes the physical link between the eyes, themind, and the hand.

8 It happens to be the ideal sketchingtool because it is easy to pick up and inexpensive to culti-vate as a hobby. The flexibility and fluidity of pencilsketching is again another unique feature ideal for begin-ners. Knowledge and skills learned from Pencil sketchingare easily transferable to other design subjects, and thebenefits are immeasurable and field notes on the back of printed demonstrates the ease and simplicity of (1-6)3rdpas 6/25/01 11:26 AM Page 3 (Black plate)4 Ninomiya Harbor in Japan; ebony Pencil , emphasizing contrastWANG_CH1(1-6)3rdpas 6/25/01 11:26 AM Page 4 (Black plate)5 Sagami Bay in Japan; ebony Pencil , emphasizing dark valueWANG_CH1(1-6)3rdpas 6/25/01 11:26 AM Page 5 (Black plate)6 Venice, Italy; 2B pencilWANG_CH1(1-6)3rdpas 6/25/01 11:26 AM Page 6 (Black plate)7 PencilsI always recommend that beginners start with the lowlynumber 2 yellow Pencil .

9 Number 2 is equivalent to HBgrade in terms of the hardness of the lead. Its markingsare medium in darkness and the lead has a moderatewear, which means that it doesn t need frequent sharp-ening. It handles well and has a friendly touch. It s a per-fect Pencil for a are many types of pencils that do more or lessthe same task. The key is to find the few that you arecomfortable with. An ordinary Pencil comes in differentgrades from high Bs to high Hs. Harder pencils havethe H markings and softer pencils bear B pencils are used primarily for drafting and technicalpurposes because the hard lead can maintain a very thin,sharp, and consistent line. It was very popular amongarchitects before the age of computers because smalland tidy lettering was required to accompany the care-fully prepared architectural drawings.

10 However, thesehigh-H pencils are not suitable for normal sketching anddrawing purposes. But soft Pencil is ideal. Softer leadscreate darker values and they glide more easily onpaper. Yet, because the point of the lead will wear awayquickly, the lines from a soft Pencil will inevitablybecome wider and less types of sketching pencilsMATERIALS ANDEQUIPMENT2 WANG_CH2(7-18)3rdpas 6/26/01 9:54 AM Page 7 (Black plate)8 TYPICAL Pencil VARIETIES medium = 2 or HBsoft = 3 Bextra soft = 6 BTYPICAL LEAD HOLDERS the top holder holds 1 4" diametersoft lead the other two are mechanicallead holders for drafting onlyWANG_CH2(7-18)3rdpas 6/25/01 12:10 PM Page 8 (Black plate)9 There are also charcoal pencils, layout pencils, flat sketching pencils,ebony pencils, etc.