THE COMPLETE IEB POETRY RESOURCE BOOK Ed6 5 Sample …

1 The COMPLETE Sixth Edition Prescribed Poems and Learning Materials glishexp er P R E S C R I B E D P O E M S A N D L E A R N I N G M AT E R I A L S F O R G R A D E 1 2. TABLE OF. ON. CONTENTS. TI. ON ON. TI ON. CONTENTS. T I A A I. S EC P LIC P LI C. CT. E RE RE SE. PL. FOREWORD R R LE LE. SA. M. TF. O FO MP M P. About The English Experience OT SA SA. O ..7. N N. FOREWORD. Our approach .. 7. Using this RESOURCE .. 8. N N ON ON. TI. O. TI. O TI TI. EC CA CA IO. INTRODUCTION. S EC. TO POETRY L I. PL. I. EC. T. S EP. INTRODUCTION. E RE S. LE R. TO POETRY . PL Reading and understanding P R R L E 10. A M F O F O M P. S POETRY questions ..16. Answering contextual T T SA. NO NO. THE RENAISSANCE. N.

2 RENAISSANCE. AT IO. Introduction to the Renaissance O O I ON. N N N. IO 18. I I T T. THE. C CT T A A. The Elizabethan EraSE EC LIC LIC.. S P P 21. E E R E R E. L Love's Farewell ..25. Michael Drayton: L. A MP A MP F OR O R. S. biography S. OT TF.. 25. S. ROMANTICS. N N O. 26. THE. Analysis .. N 27. I O N O N. AT ON TI. Questions .. IO 29. IC T TI A. PL. William Shakespeare: No longer mourn EC LIC. ECfor me when I am dead ..35. RE S P. VICTORIANS. S. R LE L E RE. biography .. 35RE. THE. O M P P R R. F M FO FO 37. OT SA SA. T T. NO NO. Analysis .. 37. Questions N .. 39. MODERNISM. IO I ON. AT Era .. The Caroline AT ONI ONI. 43 T. IC. PL Lovelace: To Althea,Pfrom Richard LIC Prison ..45. E CT E CT L IC.

3 A. E. R. R RE L E. S. E. S. R EP 45. R P L. biography .. FO MP OR. / POSTMODERNISM. AM. LATE MODERNISM. T A F. S S 46. NO O T. N. Analysis .. 47. Questions .. N 49. N TI. O ON. IO TI N N. T I CA CA IO IO. AFRICAN POETRY . THE ROMANTICSPL L I C T C T. SOUTHERN. R E. R EP SE SE. E E. OR. Introduction to the Romantic Period ..54. F OR M PL PL. T F M. PercyOBysshe Shelley: To the Night . OT SA SA..57. N N OT. biography ..N57. 59. UNSEEN. N. POETRY . N IO O N. IO T AT A TI. Analysis .. IO. N 60. C I C IC. Questions PL PL CT. SE .. 63. E RE RE SE S. PL OR LE PL. E. M OR P. ACKNOWLEDGE- F. SA OT. F. SA. M. SA. M. OT. MENTS. N N. N ON ON. THE ENGLISH EXPERIENCE 2019 3. THE COMPLETE POETRY RESOURCE .

4 THE VICTORIANS. O N I ON I ON N. T. CONTENTS. Introduction to the A T. TI Victorian A 69. C I C I C T IO. E L L C. Alfred, Lord E R EP. S Tennyson: Ulysses ..73. R EP SE. L E LE. A MPBiography .. F OR O R P L 73. P. TF M. S T SA SA 76. M. NO N O. FOREWORD. Analysis .. 78. Questions .. N N 82. O N O N IO I O. RobertTIBrowning: AT AT. TI ..88. My Last Duchess IO. C EC LIC LIC. SE biography .. T. S P P EC88. INTRODUCTION. E E R E E S. TO POETRY . PL PL R E. M O R O R PL. 91. S A F F A M. T T. Analysis .. S 92. NO NO. Questions .. 97. N. RENAISSANCE. T IO N N ON ON. MODERNISM. CA TI. O IO TI TI. THE. C CT ICA I C A. SE SE PL PL. Introduction to E. PL The wind begun to rockPthe Emily Dickinson: E RE R.

5 L grass ..106 E. R R. AM AM FO O. S. biography S. OT TF.. 106 S. ROMANTICS. N NO. THE. 108. Analysis .. N 109. IO N N. AT IO IO. N IO. LI CT T AT. C. 112. C I. EP Dulce et Decorum Est . Wilfred Owen: SE PL. VICTORIANS. R LE RE RE. LE. RBiography .. THE. O M P P R 118. R. F M FO FO120. OT SA SA T. T. NO NO. Analysis .. 121. N .. MODERNISM. Questions N 122. T IO IO N N. CA. E E Cummings: AT time ..128. nobody loses all the IO IO T. LI LIC CT CT. P biography .. IC. A. E P E E L 128. R. R RE L E. S. E. S. R EP. R L. 130. O MP P R. / POSTMODERNISM. LATE MODERNISM. F A M O. T S SA TF. Analysis .. 131. NO N O. Questions .. 132. W H Auden: Refugee Blues ..136. N N. N T IO IO N. T IO CA AT N. biography .

6 IO IO 136. LI IC. AFRICAN POETRY . L T T. EP EC EC. SOUTHERN. R EP. R S S. 138. E E. Analysis R PL PL 139. F FO M M. N OT. Questions OT SA SA.. 141T. N NO. LATE MODERNISM/POSTMODERNISM. UNSEEN. N. POETRY . N IO I ON. AT ..147. O Modernism/Postmodernism Introduction toTILate AT ON. C L IC IC TI. SE Assassination ..150. Don L Lee: EP PL EC. P. E. LBiography R. R RE L E. S.. 150E. S. R L. M FO MP MP151. ACKNOWLEDGE- T FO. SA T A A. MENTS. NO S S. NO. Analysis .. 152. Questions .. N 154. N O ON. 4 P H OTO C O P Y I N G O F T H I S R E S O U R C E I S I N C O N T R AV E N T I O N O F T H E C O P Y R I G H T A C T ( N O. 9 8 1 9 7 8 ). P R E S C R I B E D P O E M S A N D L E A R N I N G M AT E R I A L S F O R G R A D E 1 2.

7 SOUTHERN AFRICAN POETRY . O N I ON I ON N. T. CONTENTS. TI. Introduction to Southern A A T. African POETRY ..159. C I C I C T IO. L. SE The Cry of South Africa .. PL. Olive Schreiner: E EP E S EC 161. L R R E. MPBiography .. OR O R P L 161. P LE. A F. TF M. S T SA. M. SA 162. NO N O. FOREWORD. Analysis .. 162. Questions .. N N 163. O N O N IO IO. TI Penguin on the Beach . Ruth Miller: AT AT. TI ..167IO. C EC LIC LIC. SE biography .. S P P CT. E167. INTRODUCTION. E E R E E S. TO POETRY . PL PL R E 168. R R PL. M O O. S A F F M. T T SA. Analysis .. 168. NO NO. Questions .. 171. ON Brutus: Nightsong City ..176. Dennis RENAISSANCE. N N. TI O N N I O IO. CA TI TI. O AT AT 176. biography .. THE. SE.

8 C. SE. C. P LIC PL. IC. 176. L E L E RE RE. Analysis MP FO. R R 177. S A S A FO. Questions OT OT.. 178 S. ROMANTICS. N N. THE. Hugh Lewin: Touch ..183. N. biography .. 183. T IO. O N N ON. I. CA TI IO AT. 184. LI C CT IC. EP .. Analysis SE SE PL 185. VICTORIANS. R LE RE RE. LE. RQuestions .. THE. O P P R 187. R. F AM M FO FO. OT Mbuyiseni Oswald Mtshali:S Portrait of a Loaf of Bread T T. NO NO. biography .. 193. N. MODERNISM. PoemO.. N 194. A TI T IO N N. Analysis IC CA IO IO.. I T T. 194AT. PL Questions .. PL EC EC IC. R E. R E S S E PL196. E E. R Mongane Wally Serote:R Lost or Found World ..201 R. O PL PL R. / POSTMODERNISM. M. LATE MODERNISM. F M O. T SA SA TF. 201. N N O. 202. N. Analysis.

9 N 202. N T IO IO N. T IO CA AT N. Questions .. IO IO 205. LI IC. AFRICAN POETRY . L C T T. EP "I Have my Father's Voice" EC. SOUTHERN. Christopher van Wyk: R EP ..210. R SE S. E E. OR .. biography F OR PL PL 210. F M M. N OT .. Poem OT SA SA 211T. N O. Analysis ..N. 212. Questions .. 214. UNSEEN. N. POETRY . N IO O N. O T I N. Na Ncube: "The CA AT. TI Tenant" ..221. IO. C LI LIC T. SE .. biography EP P EC 221. P. E. LPoem R. R RE L E. S. E. S. R.. L. 222. M FO MP MP. ACKNOWLEDGE- T FO. SA Analysis .. T A A. MENTS. NO S S 222. NO. Questions .. 223. N ON ON. THE ENGLISH EXPERIENCE 2019 5. THE COMPLETE POETRY RESOURCE . UNSEEN POETRY . O N I ON I ON N. T. CONTENTS. Getting to gripsTwith A T. I unfamiliar POETRY : someAguidelines.

10 228. C I C I C T IO. L. E "War Photographer" ..230. PL. Carol Ann S. E Duffy: EP E S EC. L R R. MP Ntiru: "The gourd of friendship". Richard OR R LE..235. O P PLE. A F. SRuth Everson: " POETRY is Dangerous". T TF SA. M. SA. M..239. NO N O. FOREWORD. Tatamkhulu Afrika: "Small bird singing in a bush" ..245. Lebogang Mashile: "Desert child" ..250. N N. I ON I ON TI. O. TI. O. CT CT ICA I CA T IO. SE. ACKNOWLEDGEMENTS E PL PL EC. INTRODUCTION. E E RE RE S. TO POETRY . PL L E. MP OR OR PL. SA T F. T F. SA. M. NO NO. ON. RENAISSANCE. TI N N ON ON. CA TI. O IO TI TI. THE. C CT LICA C A. SE SE P P LI. P LE P LE RE RE. R R. AM AM O O. S S TF TF S. NO. ROMANTICS. NO. THE. ON ON. TI O N N TI. LI CA C TI TI.