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The Devil Wears Prada Peter Hedges by Current Revisions by

The Devil Wears Prada Screenplay by Peter Hedges Revisions by Howard Michael Gould Paul Rudnick Don Roos Current Revisions by Aline Brosh McKenna March 10, 2005 FADE I N. INT- CHATEAU -- FRANCE -- DAY. An e l e g a n t 1 7 t h Century mansion a s h o r t d i s t a n c e from P a r i s . A. d i n n e r i a s e t f o r about a hundred p e o p l e . E v e r y t h i n g i s p e r f e c t ;. e x q u i s i t e flowers, linens, s i l v e r .. Anyone who's anyone i n t h e f a s h i o n world i s t h e r e . W e see Lagerfeld .. Valentino .. Marc J z c o b s .. NIGEL KIPLING, a dapper man i n h i s l a t e 3 0 f s / e a r l y 4 0 1 s , s p e a k s a t a podium a t t h e c e n t e r of t h e d a i s o n one s i d e o f t h e room. Our POV i s from someone else on t h e d a i s s o we see NIGEL from t h e back. NIGEL..h e r name h a s become l e g e n d . Her magazine i s t h e B i b l e f o r anyone i n t e r e s t e d i n s t y l e , t a s t e and s o p h i s t i c a t i o n.

The Devil Wears Prada Screenplay by Peter Hedges Revisions by Howard Michael Gould Paul Rudnick Don Roos Current Revisions by Aline Brosh McKenna

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Transcription of The Devil Wears Prada Peter Hedges by Current Revisions by

1 The Devil Wears Prada Screenplay by Peter Hedges Revisions by Howard Michael Gould Paul Rudnick Don Roos Current Revisions by Aline Brosh McKenna March 10, 2005 FADE I N. INT- CHATEAU -- FRANCE -- DAY. An e l e g a n t 1 7 t h Century mansion a s h o r t d i s t a n c e from P a r i s . A. d i n n e r i a s e t f o r about a hundred p e o p l e . E v e r y t h i n g i s p e r f e c t ;. e x q u i s i t e flowers, linens, s i l v e r .. Anyone who's anyone i n t h e f a s h i o n world i s t h e r e . W e see Lagerfeld .. Valentino .. Marc J z c o b s .. NIGEL KIPLING, a dapper man i n h i s l a t e 3 0 f s / e a r l y 4 0 1 s , s p e a k s a t a podium a t t h e c e n t e r of t h e d a i s o n one s i d e o f t h e room. Our POV i s from someone else on t h e d a i s s o we see NIGEL from t h e back. NIGEL..h e r name h a s become l e g e n d . Her magazine i s t h e B i b l e f o r anyone i n t e r e s t e d i n s t y l e , t a s t e and s o p h i s t i c a t i o n.

2 Without a doubt one o f t h e most e l e g a n t women e v e r t o walk t h e p l a n e t , I g i v e Miranda Priestly. Loud a p p l a u a e r i n g s o u t . And from t h e back w e see MIRANDA. ,- PRIESTLY approaching t h e podium. W e c a n o n l y make o u t h e r f a n c y updo, t h e c u r v e s o f h e r c o u t u r e gown. A s MIRANDA l i n g e r s , t a k i n g i n t h e . W e reverse t o see whose p o i n t o f view we are w a t c h i n g ..ANDY BARNES, 2 0 ' 6 , p r e t t y , e l e g a n t l y p u t t o g e t h e r . She e t a n d s a few f e e t behind M I W D A . She a p p l a u d s , s m i l i n g . Some o f MIRANDA'S l i g h t s p i l l s o n t o ANDY. MIRANDA s t a r t s t o t a l k and w e h e a r a b r i e f SCREECH o f feedback. The SCREECH d i s s o l v e s i n t o .. FLASH BACK TO: EXT. MIDTOWN STREET -- DAY..t h e SCREECH of a taxi, r o u n d i n g a c o r n e r . Six m o n t h s e a r l i e r.

3 ANDY walks o u t o f a subway s t a t i o n , c l u t c h i n g e p i e c e of paper w i t h d i r e c t i o n s on it. A S D Y l o o k s n o t h i n g l i k e t h e p o l i s h e d young woman from t h e c h a t e a u . Her h a i r and makeup are c o l l e g e s t u d e n t simple. She Wears h e r b e s t -- w h i t e s h i r t , b l u e s k i r t , c o m f o r t a b l e shoes.