Vincent Bach Mouthpiece Manual

1 Mouthpiece MANUALV incent bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, hisinstruments and mouthpieces are used today in every major studio and orchestra in the world. bach personally designedthe tools and composed the plans that continue to set the high standards for making all bach products DESIGN INFORMATION3. Selecting a Mouthpiece5. The Rim7. The Cup: Depth and Diameter8. The Backbore9. The Throat10. Mega Tone , Screw-Rim Mouthpieces11. Custom Designed Mouthpieces, Special Shanks,Finishes, Cleaning Vincent bach Mouthpiece MODELS12.

2 Key to Trumpet Model 18. Trumpet, Cornet & Fluegelhorn Mouthpieces18. E Contra-Alto Trumpet Mouthpiece19. Mega Tone Trumpet Mouthpieces20. Mega Tone Cornet Mouthpieces 20. Mega Tone Fluegelhorn Mouthpieces 21. Horn Mouthpieces 21. Alto Horn & Mellophone 24. Small Shank Tenor Trombone, Baritone & Euphonium Large Shank Tenor & Bass Trombone Mouthpieces26. Mega Tone Small Shank Tenor Trombone, Baritone & Euphonium Mouthpieces27. Mega Tone Large Shank Tenor & Bass Trombone Mouthpieces27. Contra-Bass Trombone Mouthpiece28. Tuba & Sousaphone Mouthpieces28. Mega Tone Tuba & Sousaphone Mouthpieces29.

3 Screw-Rim Mouthpiece Catalog NumbersBRASS ACCESSORIES30. Mutes, Brass Microphone System, Mouthpiece Pouches, Valve Oil, Tuning Slide Grease & Gold-Plated Trim Kits31. Polishing Cloths & Gloves, Leatherlike Gig Bag, Leather Gig Bags,& Heavy Valve CapsDIMENSIONS32. bach Mouthpiece Dimensions Choosing the perfectmouthpiece is often moredifficult than choosing theperfect instrument. Yoursuccess as a musiciandepends on the choice ofequipment that will dojustice to your capabilities. Vincent Bach3 Selecting a MouthpieceWhen selecting a Mouthpiece , a brassinstrumentalist should choose one with asolid, compact tone of large volume.

4 Acarefully selected bach Mouthpiece canhelp improve a player s embouchure,attack, tonguing and endurance. Professional musicians and advancedstudents prefer the musical results oflarge mouthpieces, such as the bach 1B,1C, 11 4C, 11 2B, 11 2C, 21 2C, 3C, whichprovide a maximum volume of tone withthe least amount of effort. By openingup the lips so that they do not touch, thelarger Mouthpiece produces a clearer,purer tone. The large cup diameter alsoallows a greater portion of the lip tovibrate, producing a larger volume oftone, and keeps a player from forcinghigh tones by encouraging the correctfunctioning of the lip muscles.

5 However,a student may find a medium-sizedmouthpiece not select a certain mouthpiecebecause another player uses it. Becauseno two players have the same lip ortooth formation, what is perfect for onemay be entirely unsuitable for the produces many different models sothat each player can find the best mouth-piece for their individual your local dealer and try several genuine bach Mouthpiece models, allstamped with the Vincent bach WIDTHCUPDIAMETERCUPDEPTHRIMTHROATBACKBOR ESHANKA Mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior Mouthpiece choosing a special combination of rim, cup, throat and backbore designs, consider the effects of :Increases :Improves flexibility, :Improves :Increases brilliance, precision of :Increases volume, :Relieves fatigue, :Darkens tone, especially in low :Brightens tone, improves response, especially in high :Increases blowing freedom,volume, tone; sharpens high register (largest sizes also sharpen low register).

6 Small:Increases resistance, endurance, brilliance; flattens high in general terms, it isn t possible to identifybackbores by size because they also vary in combinations of size and shape make thetone darker or more brilliant, raise or lower thepitch in one or more registers, increase ordecrease volume. In each instance, the effectdepends in part on the throat and cup used incombination with the playing qualities mentioned on this pageare discussed in greater detail in the followingsections. Keep in mind that playing qualitiesof mouthpieces vary from person to person;therefore, descriptions of playing qualities arenecessarily subjective.

7 It is important to viewall information in this Manual as a generalguide. For best results, use it as a startingpointfor testing a number of models, not as a substitution for Every Brass Instrumentalist Should Know About MouthpiecesWide Rim: Increases player sendurance, but limits Rim: Helps players who must cover a wide range of Rim: Crooked teeth may require a rounded rim contour at the expense of clean low-register Inner Rim Edge: Produces a brilliant metallic tone, makes attacks more RimA well-constructed brass instrumentmouthpiece should have a medium-widerim with a fairly sharp inner edge.

8 If the Mouthpiece is properly placed, it willpermit the lips to move slightly forwardand backward. For high tones, a playerwill draw the lips farther back; while for low tones, the lip muscles will relax,permitting the lips to sharp rim will not cut the lip if theflat face of the Mouthpiece rim is placedon the lips in (or slightly above) a hori-zontal position, with the Mouthpiece at a 90 degree angle against the front sharp inner edge against the lip willautomatically remind the player that theinstrument is not being held use of a Mouthpiece without asharp inner edge is not recommended, as it would not allow sufficient surface to distribute pressure over the lips.

9 A too-rounded rim will dig into the lips,limitingthe player s endurance. A player with a normal embouchureand fairly muscular lips should prefer amedium-wide rim, which will allow both flexibility and endurance. A too-wide rim will clamp down lip musclesand embouchure flexibility, and the effect will be noticeable on quick tonal changes. Players with very thick lips, however,can use a wide rim to advantage, as amedium-wide rim might dig into the softtissues of the lips and interfere with theblood circulation. Players who cannotovercome the habit of forcing hightones, or band members who occasionallysmack the Mouthpiece against the lipswhile marching may also consider itadvantageous to use wide-rimmedmouthpieces.

10 However, even very thick-lipped musicians and marching bandmusicians should prefer medium-widerims if they do not feel hindered in usingthem, for mouthpieces with extra-widerims encourage a player to use too muchpressure for the high notes instead ofrelying on the lip muscles to do the narrow rim offers a trumpet ortrombone player greater flexibility, but it tends to dig into the flesh of the lips,cutting off free blood circulation anddecreasing endurance. Horn players oftenprefer a medium-narrow rim becausetheir instrument covers so wide a range(a fourth lower than a trombone andalmost as high as a trumpet).