Transcription of WLA
1 War, Literature & the Arts:An international journal of the HumanitiesSpecial Double Edition, 2005 Volume 17, Numbers 1 & 2 WLAWar, Literature & the Arts:An international journal of the HumanitiesFounded in 1989, WLA is indexed in The American humanities Index, Literary Criticism Register, the MLA American Periodical Verse, and the Annual Bibliography of English Language and Literature and is a member journal of the Council of Editors of Learned Journals and the Council of Literary Magazines and opinions expressed in this journal may not necessarily be those of the editors, the United States Air Force Academy, or the Department of the Air Force. WLA exists as a forum for many voices seeking an understanding of war and art, and the intersection of the two.
2 Because WLA is published using government funds, the material published is public domain. Send poetry manuscripts to:Will Hochman Department of English Southern Connecticut State University 501 Crescent Street New Haven, CT 06515 email: all other correspondence to:Donald Anderson, Editor Department of English and Fine Arts 2354 Fairchild Drive, Suite 6D-149 email: / fax: : 1046-6967 War, Literature & the Arts:An international journal of the HumanitiesSpecial Double Edition, 2005 Volume 17, Numbers 1 & 2 Department of English & Fine ArtsUnited States Air Force AcademyColorado Springs, ColoradoWLA T Ab Le of ConTenTsVolume 17: 1 & 2 Speci AL Fe Ature 6 William Newmiller The Navajo Code Talkers and Their Photographerthe i mAge o F A h ero 31 Will Wright Introduction & Carl Pletsch 33 Aaron B.
3 O Connell Saving Private Lynch:A Hyperreal Hero in an Age of Postmodern Warfare 53 Tracy Santa Drug/War: Anthony Loyd and the Hero(in) in Bosnia 58 Andreas Michel Heroes and Taboos: The Expansion of Memory in Contemporary Germany 74 Richard W. Lemp Comic Metamorphosis of the (Anti) Hero in Roch Carrier s W WII Novels 87 James L. Cook Reproaching the Military Hero Sans Peur 102 Robert W. Burns More Frail and Mortal : The Wound of Fear in Philip Caputo s In the Forest of the Laughing Elephant 108 Nadine Gingrich Every Man Who Dies, Dies for You and Me. See You Be Worthy : The Image of the Hero as Rhetorical Motivation in Unofficial War Propaganda, 1914-1918 118 Donald E. English French Photographic Images of the Hero during World War OnetrAnSLA tion S 129 Thomas McGuire Friends from Other Wars:Four Transcreative TranslationsFiction 137 Karen T.
4 Hartline Under Dead 143 M. M. M. Hayes Lay of the Landpoetry 265 Karen Head Bad Girls, 1979 267 Robert Lunday In Praise of Babel 275 Brown Three Poems 287 Rachel Vigil Three Poems 291 W. D. Ehrhart Coaching Winter Track in Time of War 293 Joseph T. Cox First Snow Fort Wayne 294 Marianne Poloskey Three Poems 299 Cyra S. Dumitru Two Poemscritic AL eSSA y 146 Alfred Kern About Literary Wars 162 Paul R. Cappucci Down from the Crow s Nest: Herman Melville s Battle-Pieces and Aspects of the War 199 Karsten H. Piep War as Proletarian Bildungsroman in Upton Sinclair s Jimmie Higgins 232 Carla A. Fellers What a Wonderful World : The Rhetoric of the Official and the Unofficial in Good Morning, Vietnam 242 Bernard von Bothmer Oliver Stone s JFK: Political Assassination, Kennedy, and Vietnam 252 Kevin Foster Disappearing Acts: Remembering the Victims of the Dirty War 175 Susanne Vees-Gulani Troubled Memories:Posttraumatic Stress, German Writers, and the Bombings of World War Twoper Son AL eSSA y 170 Bruce Guernsey Nobody s Home 195 Candace Black Professional Vet 227 Josh Sopiarz HomecomingcommentAry 303 Michael S.
5 Neiberg Mona Lisa s Smile and the Writing of the Great War 311 Morgan Harlow Martian Legacy: Ray Bradbury s The Martian Chroniclesrec ALL r oSter 315 Jeffrey C. Alfier editor S c hoice 322 Lori A. Davis Perry 329 r evie WS
