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Color Correction Handbook, Second Edition

Professional Techniques for Video and CinemaAlexis Van Hurkmansecond editionCOLORCORRECTION HANDBOOKP rofessional Techniques for Video and Cinema, 2nd EditionCOLORCORRECTION HANDBOOKA lexis Van HurkmanCOLOR Correction HANDBOOK: Professional Techniques for Video and Cinema, Second EditionAlexis Van HurkmanPeachpit Press report errors, please send a note to Peachpit Press is a division of Pearson EducationCopyright 2014 by Alexis Van HurkmanSenior Editor: Karyn Johnson Development Editor: Stephen Nathans-Kelly Production Editor: David Van Ness Copyeditor: Kim Wimpsett Compositor: WolfsonDesign Proofreader: Liz Welch Indexer: Valerie Haynes Perry Interior Design: Kathleen Cunningham Cover Design: Aren Howell Straiger Cover photo: Kaylynn Raschke Cover models: Gal FridayNotice of Rights All rights reserved.

Because of our limited color control of the images, we colorists were considered a necessary evil (at best) in the film-to-tape process. Luckily for us, in 1984, the DaVinci color correction system came out and gave us

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  System, Correction, Color, Color correction, Color correction system

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