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CHICAGO STYLE GUIDE (17 ED.) - MVCC

CHICAGO STYLE GUIDE (17TH ED.). NOTES & BIBLIOGRAPHY STYLE . Th i s g ui d e d e scr i be s th e hu m a n it i es s ty l e ( n ot e s & b i bl i ogr ap hy) t ha t i s pref err ed by ma ny in t h e ar t s, li t er a t ure , an d h is t or y . Th e a ut h or -d a te s ty le is re serv ed f or t h e p hy si ca l , na t ura l an d so c ia l s c ie nc e s a n d is n o t cov ere d by th i s g u id e . Fo r m ore i nf orm a ti o n p l ea se r ef er to T he C h ic ag o M a nu al of S ty le ( C MO S) , l oc a te d be h in d th e l i brary r efer e nc e de sk ( Re f Z2 5 3. U6 9 20 17).

religious texts such as the Quran or Bible, classical primary sources (such as The Iliad) or well-known reference books (such as Encyclopedia Britannica or the Oxford English Dictionary). How to order the entries Entries are alphabetized by the …

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Transcription of CHICAGO STYLE GUIDE (17 ED.) - MVCC

1 CHICAGO STYLE GUIDE (17TH ED.). NOTES & BIBLIOGRAPHY STYLE . Th i s g ui d e d e scr i be s th e hu m a n it i es s ty l e ( n ot e s & b i bl i ogr ap hy) t ha t i s pref err ed by ma ny in t h e ar t s, li t er a t ure , an d h is t or y . Th e a ut h or -d a te s ty le is re serv ed f or t h e p hy si ca l , na t ura l an d so c ia l s c ie nc e s a n d is n o t cov ere d by th i s g u id e . Fo r m ore i nf orm a ti o n p l ea se r ef er to T he C h ic ag o M a nu al of S ty le ( C MO S) , l oc a te d be h in d th e l i brary r efer e nc e de sk ( Re f Z2 5 3. U6 9 20 17).

2 F or f ur th er i nf orma t i on o n el e ctr o n i c s o ur ce d oc um en t at i o n , v is i t th e C hi c ag o Ma n ua l of S ty le we bs i te: ww w .ch ic ag om an u alo f sty l rg /to ol s _ cit ati on gu id e/ ci tati on -g u id e- 1. TABLE OF CONTENTS. FORMATTING GUIDELINES. F ON T, S P A CI NG , MA R GI NS , AL IG N MEN T , I N DEN T AT IO N , PAG E N UM BE RS 3. C OVE R PA GE 3. QU O TA TI O NS [ S H OR T AN D L O NG] 4. B I BLI O G RA P HY PA GE 5. HA NG I NG I ND E N T G UI DE 6. CREDITING SOURCES. W HA T R E Q UI RE S A F O O T NO TE 7. H O W DO E S A C IT A T I ON AP PEA R IN T HE T E X T 7.

3 S H O RTE NI N G F O O TN O TE S W HEN CI T IN G A S O UR C E M O RE T H AN O N CE 8. H O W T O I NS E R T A F O O T NO TE IN W O R D O R G O O G LE D O CS 8. SOURCE TYPES. TW O AU T HO RS 9. T HRE E O R M O RE AU T H O R S 9. O RGA N I ZA TI O N OR G O VE RN ME NT AS AU T H O R 10. AUT H O R U NK NO W N 10. CLA S S I CA L PR I MA RY S O U R CES 11. S C RI P TU RAL RE FE RE N CE S 11.. C ONS T IT UT I ON 11. S OU R CE QU O TE D IN AN O T HER SO UR CE 11. PE RS O NAL CO M MU NI C A TI O N 12. AUT H O R A N D E DI T O R OR TR ANS LA TO R 12. TABLE OF CONTENTS CONTINUED.

4 PERIODICALS ONLINE & PRINT. JO UR NAL AR T I CLE F OR M AT TI NG N O TES 13. JO UR NAL AR T I C LE W IT H A D O I 13. JO UR NAL AR T I CLE W IT H OU T A D O I 14. MA GA Z INE S O R NE W S PA PER O NL IN E & PR I NT 14. BOOKS ELECTRONIC & PRINT. B O OK F OR MA T TI N G N O T E S 15. O RD E R O F E LE ME NTS W H E N CI T IN G A B O OK 15. PR I NT B O OK 15. E LE C T RO N I C B OO K 16. AR TI CL E OR C H AP TE R I N AN E D ITE D C OL LE CT I ON 16. E NT RY I N A RE FE RE N CE B O OK O NL INE & P R IN T 17. AUDIOVISUAL MEDIA. O RD E R O F E LE ME NTS F O R MUL TI ME D IA C I TAT I O NS 18.

5 S TRE AM I NG V I DE O 18. FI LM / DV D 19. P OD C AS T 19. WEBSITES & SOCIAL MEDIA. WE BS I TE F O RM AT T IN G N OT ES 20. WE BP AGE W I T H A N AU T H OR 20. WE BP AGE O R GA NI ZA T I ON AS A UT H O R O R N O A UT H OR 20. BL O GP OS T 21. LI B RA RY O F C ON GR E S S D IG I T AL C OL LE CT I ON 22. LINK TO A SAMPLE PAPER IN CHICAGO STYLE . Scan to be linked to a sample paper in CHICAGO STYLE 2. GENERAL FORMATTING GUIDELINES. Yo ur pr ofe ss or s wi l l exp ec t t o r e c eiv e pa p er s t h at ar e pr o per ly fo rma t te d. Un l es s o th erw i se r e q ue st e d by y o ur pr of e ss or , u s e t h e fo ll o w in g g u id el i ne s wh en se t t in g u p a pa per i n C hi c ag o S ty le.

6 On e i nc h m ar g i ns o n si d es , to p , an d bo t t om Ti me s N ew R om a n, 1 2 p t . f o nt D ou b le - sp a ce t he t ext (e xc ep t f or b lo ck q u ot es , f o ot n ot e s , a nd b ib l i ogr ap hy e n tr ie s) . Use a in c h in de n t f or par agr ap h be g in n in gs , b l ock q u ot es , a nd h an gi n g i n de nt s . Lef t -a l ig n tex t so t h at i t ha s a r a gg ed r i gh t ed ge . D o no t u se ne w sp ap er j us t if ie d tex t . Num b er th e p ag e s i n t he t op r i gh t c orn er of t he he ad er be gi n ni ng w i th t he fir s t p ag e of t ext ( no t th e ti t le p ag e ).

7 S om e pr of es sor s al s o li k e y o ur la s t n ame i n cl u de d wi t h th e p age n um ber . Rem ov e e xtr a sp a ci ng b et we en p ar a gra p hs . COVER PAGE. S ho u ld y our p ap er r eq u i r e a t i tl e pa ge , us e th e f o ll o wi ng g ui de l i ne s. 1. The tit le should be centered one-thi rd of the way down the page in ALL CAP S. 2. If there is a sub -ti tle, end your t it le with a colon and enter the sub -title on a separate line . 3. Your name, class information , and the date should fol low several lines late r. 4. Double -space each line of the cover page.

8 5. Do not put a page number on the cover page . NOT E : Whi le m os t f or m a l r e s ear c h p a per s r e q ui r e a t i tl e pa ge , no t a ll wr it i ng a ss ig nm en t s m ake us e of th em . Wh e n i n d ou b t, a s k y o ur in s tr u c t or . The top portion of a sample CHICAGO STYLE title page 3. QUOTATIONS. Th e C MO S re q uir es q u ot at i o n o f a l l wor d -f or -w o rd m at er ia l . Al l quoted material must be accompanied by a footnote. Footnotes are n ot es t ha t a p pe ar in t he f oo t er se c ti o n of th e pa ge . In C hi c ag o no t es a nd bi b li o gra p hy s ty le , fo o tn o te s ar e us ed t o t el l t he r ea der t he s o urc e of i de as or l an gu ag e in t he tex t.

9 T o ci t e a n o ut s id e so ur ce , a su per s cr ip t nu m b er is p la c ed af ter a qu o te , s um m ar y , o r par ap hr as e . T he s up er sc r ip t n um b er c or r e s po n d s t o a n um ber ed f oo t no t e c on ta i n in g s o ur ce in f or ma t i on . Image source: Daria 1. SHORT QUOTATIONS. If a q u o te i s l ess than five lines , in c or p or a te i t in t o a s en te n ce . E n cl o se t he q uo t e d ma te ri a l i n d ou b le qu o ta t i on mark s - . Pl ac e th e su per s cr ip t nu m ber a t th e e n d of th e se nt en c e or qu o ta t i on.

10 Qu o t at i on ex am pl e: Kim a nd K oh ' s inv es t ig at i on i nt o t he r e la t i on sh i p be t we en sm ar tp h on e o bs es s io n an d se lf - es te e m su gg es te d th a t in d iv i d u al s wi t h lo w se lf - es te em may f e el mo re an xi o us , an d be i ng anx i o us c an in cr ea se o ne 's o bs es s i o n w i th sm ar tp h on e us e . 2. LONG QUOTATIONS. Qu o t es of fiv e or m or e li ne s, o r 1 00 or m or e w or ds ar e c a ll e d b loc k quotes and a re f or ma t te d di f fere n tly th a n t h eir s h ort er c ou n t er p ar ts . Wh en u si ng b l o ck qu o ta t i on s f o ll o w th e gu i de l in es b el o w: C ha ng e th e li ne s pa c i ng t o s in gle -spaced , and i nc lu d e a d d a n ext ra l in e b ef ore an d af ter t he b l o c k qu o te.


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