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ONE: COMMON CONDITIONS AFFECTING VOICEO verall Fold Conditions Affecting VoiceNodules and Fold Paralysis and Tension Vocal Cord Strain voice TWO: voice THERAPY PROGRAMSV ocal Reflux for Vocal Production Work: Cohesive Therapy voice Function voice Silverman voice Awareness and Movement voice Throat Breathing Training for voice is estimated that 3 to 10 percent of Americans experience voice problems atany given moment in time. The cumulative frequency over the life-span is much from the environment - pollution, sudden changes in humidity or exposure topharmacological agents - can make vocal fold tissues irritated or vulnerable todamage.

Part Two describes specific voice therapy programs. In addition to more traditional therapy methods, sections such as whole body wellness, theatre voice

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1 ONE: COMMON CONDITIONS AFFECTING VOICEO verall Fold Conditions Affecting VoiceNodules and Fold Paralysis and Tension Vocal Cord Strain voice TWO: voice THERAPY PROGRAMSV ocal Reflux for Vocal Production Work: Cohesive Therapy voice Function voice Silverman voice Awareness and Movement voice Throat Breathing Training for voice is estimated that 3 to 10 percent of Americans experience voice problems atany given moment in time. The cumulative frequency over the life-span is much from the environment - pollution, sudden changes in humidity or exposure topharmacological agents - can make vocal fold tissues irritated or vulnerable todamage.

2 In other cases, disease or trauma impairs the vocal folds, larynx or surround-ing tissues. Genetic factors also play a role; some individuals vocal folds appear to benaturally more robust than others. Finally lifestyle choices are significant. About 25percent of the population engages in work that is vocally demanding. For theseindividuals, either their jobs require excessive vocalization or their work environmentsforce them to speak above a high noise level. Examples of professionals with heavyvocal demands include: teachers, lawyers, auctioneers, aerobic instructors, singers,actors and manufacturing factors, or a combination of them, converge on an organ whose primaryfunction is not voice production at all, but airway protection.

3 It should come as nosurprise that clinics see an increasing number of patients whose vocal systems aremismatched to the load being placed upon them. Patients often report significant workloss and early abandonment of careers in occupations with high voice , speech-language pathologists and otolaryngologists encouraged theirpatients to allow their voices to rest. However, sometimes this simple advice isn tfeasible. Telling a politician not to talk is like telling a football player not to gettackled or a ballerina not to get on her toes. For this reason, an emphasis should gobeyond therapy, or rehabilitation. Training in optimal usage of the voice under lessthan ideal circumstances, or habilitation, is also a task set before the speech-languagepathologist specializing in vocology.

4 [Vocology is the science and practice of voicehabilitation (Titze, 1990; 1993; 1996).] For these reasons, this Guide to Vocology was developed. It was created as acomprehensive overview of the many and diverse approaches to voice reading lists were developed as completely as possible so that interestedreaders may continue investigations into the described techniques. As this publicationgoes to press (Fall 1998), some citations in the reference lists are denoted as in press, in review, or in revision. The reader is encouraged to visit the website of theNational Center for voice and Speech to obtain current publication information. Theaddress is: Part One, many of the common conditions affecting voice and suggestedtherapies are described.

5 It is prefaced by a general discussion of voice treatment. Ofcourse, the specific treatment program depends on the patient, his or her condition,and on the clinicians caring for the patient. Information about treatment is meant as ageneral guide for common Two describes specific voice therapy programs. In addition to moretraditional therapy methods, sections such as whole body wellness, theatre voicetechniques and training for singers are included. As the recent subspecialty of vocologyhas evolved, many speech-language pathologists have found that there is much tolearn from interdisciplinary authors gratefully acknowledge Grant P60 DC00976 from the NationalInstitute on Deafness and Other Communication Disorders, a division of the NationalInstitutes of Health.

6 The authors also gratefully acknowledge feedback and valuableinsights from Michael Johnson-Chase, BA, Daniel McCabe, DMA, Mary Sandage,MA, CCC-SLP, and Ingo R. Titze, FOR VOCOLOGYT itze, (1990). Vocology. National Association of Teachers of Singing Journal, 46(3), , (1993). Rationale and structure of a curriculum in vocology. Journal of voice , 6(1), , (1996). What is vocology? Scandinavian Journal of Logopedics and Phoniatrics, 153. 1998, National Center for voice and Speech3 Overall ConsiderationsClinical personnel. Over the past several years, a subspecialty called vocology has progressively evolved. Vocology literally means study of the voice .

7 Avocologist is any person who is specialized in voice , including voice disorders and theirmanagement. More broadly, a vocologist may be a speech-language pathologist, anear-nose-throat doctor, a voice teacher or coach, or any other person with a specialinterest in voice . At many of the premier voice centers, voice treatment teams anotolaryngologist, a speech-language pathologist and, often, a voice educator use acooperative approach to care for their voice of treatment. Treatment success for voice disorders depends on manyfactors, including the condition being treated and the clinicians treating it. However,one of the most important overall factors is the patient.

8 Patients who are interested intheir voices and are motivated to make improvements generally are likely to get thebest overall long-term results from treatment. This is partly because such patientstend to follow treatment THERAPYHow often, for how long? In the United States, most voice therapy involves 1-2therapy sessions weekly, for about 2 months. There are exceptions discussed in PartTwo of this booklet, such as Lee Silverman voice Treatment (4 visits per week for 4weeks). content of treatment. Almost all voice therapy addresses at least two issues:(1) voice hygiene, that is, how to take care of the vocal folds by keeping them moistand free from irritants, and (2) voice production work, that is, how to use the musclesinvolved in voice to create the best possible sound without injury.

9 Additionally, somevoice therapy programs also include (3) Stress counseling, if relevant. Specific ap-proaches to hygiene, voice production, and stress counseling are described in Part 2 ofthis and more, voice therapy programs are based on scientific research. Some ofthe methods borrow from the performing arts in singing and theatre, as arts trainershave dedicated decades if not centuries developing effective ways of training FOLD SURGERYT erminology and general information. Surgery that is performed to improve voiceis called phonosurgery. ( Phono comes from the Greek word root referring to sound. ) Phonosurgery is not used for all patients with voice problems.

10 Rather, it isreserved for special cases in which the patient, the physician, and the speech-languagepathologist feel that it is a good option. Usually, phonosurgery is either preceded byvoice therapy, or followed by voice therapy, or of surgery. Most phonosurgery can be classified as one of two main types:(1) Laryngeal microsurgery, which involves the use of a microscope to remove smalllesions discussed below; or (2) Medialization surgery, which involves moving one orboth vocal folds towards the center of the glottis, or injecting one or both folds withmaterial to bulk them up, so that vocal fold contact is good during voicing. A thirdtype of intervention (3) Botulinum toxin ( botox ) injection, does not involve surgeryper se, but is sometimes considered together with surgical interventions.


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