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Theatricality in Beckett’s Epic Writings
Theatricality's Apology, The theater in Life, 1927) Evreinov' s perspective is the vital instinct, designed to transform reality through simulacrum (sham). In Homo Ludens ( 1939), the main theme insists on the emergence of culture as a form of
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Theatricality, Playing the Other: Theater, Theatricality, Playing the Other: Theater, Theatricality, and the Feminine, The Resistance to Theatricality, Tragedy: Citation, Gesture, and Theatricality in Griselda, Epic Theatre, Absolute Power and the Aristocratic Style, M. Butterfly, Theatricality: The Specificity of Theatrical, THEATRICALITY AS MEDIUM, Brown University