Transcription of INSTRUCTOR’S RESOURCE MANUAL - docshare04.docshare.tips
1 The Enjoyment of MusicELEVENTH EDITIONINSTRUCTOR S RESOURCE MANUALEnjMus11-IRM_Norton 8 1/2 x 11 specs 6/10/11 5:20 PM Page iEnjMus11-IRM_Norton 8 1/2 x 11 specs 6/10/11 5:20 PM Page iiThe Enjoyment of MusicELEVENTH EDITION Alicia M. DoyleCALIFORNIA STATE UNIVERSITY, LONG BEACHBW W NORTON & COMPANY NEW YORK LONDONINSTRUCTOR S RESOURCE MANUALEnjMus11-IRM_Norton 8 1/2 x 11 specs 6/10/11 5:20 PM Page iiiCopyright 2011, 2007, 2003, 1999, 1995, 1990 by W. W. Norton & Company, rights reservedEleventh EditionISBN 978-0-393-11841-4W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY W. Norton & Company Ltd., Castle House, 75/76 Wells Street, London W1T 3QT1234567890 EnjMus11-IRM_Norton 8 1/2 x 11 specs 6/10/11 5.
2 20 PM Page ivvCONTENTS Chapter 1 |Introduction 1 Chapter 2 |Goals and Content 2 Chapter 3 |Approaches to Teaching 3 Historical/Chronological Approach 3 Biographical, or Great Composer, Approach 3 Listening Approach 4 Analysis Approach 4 Development of Styles Approach 4 Genre Approach 5 Multicultural Approach
3 5 Gender Equity Approach 5 Chapter 4 |Teaching Materials Available 6 Chapter 5 |The Course Plan 10 Chapter 6 |Planning an Exam Schedule 11 Chapter 7 |Other Assessments of Competence 15 Quizzes on Specialized Topics 15 Concert Reports 15 Special Activities and Listening Assignments 15 Chapter 8 |The Course Syllabus 17 Chapter 9 |Teaching Guide 19 Part 1: Materials of Music 20 Prelude 1.
4 Listening to Music Today 20 Chapter 1: Melody: Musical Line 20 Chapter 2: Rhythm and Meter: Musical Time 22 Chapter 3: Harmony 23 Chapter 4: The Organization of Musical Sounds 24 Chapter 5: Musical Texture 26 EnjMus11-IRM_Norton 8 1/2 x 11 specs 6/10/11 5:20 PM Page vvi| Contents Chapter 6: Form 27 Chapter 7: Musical Expression: Tempo and Dynamics 28 Chapter 8: Voices and Musical Instrument Families 29 Chapter 9: Western Musical Instruments 31 Chapter 10.
5 Musical Ensembles 34 Chapter 11: Style and Function of Music in Society 36 Part 2: Medieval and Renaissance Music 38 Prelude 2: The Culture of the Middle Ages and Renaissance 38 Chapter 12: Sacred Music in the Middle Ages 39 Chapter 13: Secular Music in the Middle Ages 40 Chapter 14: Renaissance Sacred Music 41 Chapter 15: Renaissance Secular Music 42 Part 3: The Baroque Era 44 Prelude 3: The Baroque Spirit 44 Chapter 16: Baroque Opera and Its Components 45 Chapter 17.
6 The Baroque Cantata and Oratorio 47 Chapter 18: Baroque Instruments and the Suite 48 Chapter 19: The Baroque Concerto 49 Chapter 20: Other Baroque Instrumental Music 49 Part 4: Eighteenth-Century Classicism 51 Prelude 4: Classicism in the Arts 51 Chapter 21: The Development of Classical Forms 52 Chapter 22: Classical Chamber Music 53 Chapter 23: The Classical Symphony 55 Chapter 24: The Classical Concerto 58 Chapter 25: The Sonata in the Classical Era 59 Chapter 26: Classical Choral Music and Opera 60 Part 5.
7 The Nineteenth Century 62 Prelude 5: The Spirit of Romanticism 62 Chapter 27: Song in the Romantic Era 63 Chapter 28: Romantic Piano Music 65 Chapter 29: Music in Nineteenth-Century America 67 Chapter 30: Romantic Piano Music 68 Chapter 31: Absolute Music in the Nineteenth Century 71 Chapter 32: National Schools of Romantic Opera 73 Chapter 33: Late Romantic and Post-Romantic Music 76 Part 6: Impressionism and the Early Twentieth Century 79 Prelude 6: Modernism in the Arts 79 Chapter 34.
8 Impressionism and Post-Impressionism 79 Chapter 35: Early Modern Musical Style 81 Chapter 36: Music of the Early Modernists 82 Chapter 37: European National Schools 85 Chapter 38: American Modernism in Music 87 Chapter 39: Nationalism in the Americas 89 EnjMus11-IRM_Norton 8 1/2 x 11 specs 6/10/11 5:20 PM Page viContents |vii Part 7: Music beyond the Concert Hall 91 Prelude 7: The Rise of American Popular Styles 91 Chapter 40: Ragtime, Blues, and Jazz 92 Chapter 41: Musical Theater 94 Chapter 42: Music for Films 95 Chapter 43.
9 The Many Voices of Rock 97 Part 8: World War II and Beyond 99 Prelude 8: New Directions in the Arts 99 Chapter 44: The New Virtuosity in the Modern Age 100 Chapter 45: Contemporary Composers Look to World Music
